by Olivier La Roche
The niece of well-known Canadian singer-songwriter Sarah Harmer, Georgia Harmer brings a similar brand of mellow indie-folk to her aunt’s style on Stay In Touch. Mixed in with this influence is a strong indie-rock sound that brings a quite entrancing facet to the album, showcasing Georgia’s talents as a vocalist, guitarist, and songwriter all at once.
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by Matt Harrison
Released in early 2022, If It’s Not Forever is a six-track EP written and sung by Cassidy Mann. Her newest release is a combination of light-electronic and acoustic vibes, the type of soft tones you might hear playing gently in a coffee shop or bookstore. As a whole, the EP tells the story of love lost and the journey of carrying on as a stronger self.
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by Olivier La Roche
It’s grimy, it’s catchy, and it’s distorted. Vancouver power trio Night Court’s newest record is everything you’d want from a punk release. Throughout its short runtime, Nervous Birds! Too presents sensational melodies that cut right through the lo-fi, greasy guitar riffs, creating an electrifying listening experience.
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by Keeley Braunstein-Black
The EP From the Hills, Beaten Roads, Down to the Trees by Sam Singer was released May 27, 2022. This short and sweet folk-rock EP with five songs, running approximately 16 minutes, was recorded at the Secret Beach, mixed by Micah Erenberg and mastered by J Riley Hill at No Fun Club. The artwork by Giuliana Guzzi-Gold, who also appears on the EP as a backup singer, depicts the hills, beaten roads and the trees as a sublime yet rugged flowing dreamscape of earthy pastel colours.
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by Noah Cain
The opening track and lead single of Songs from The Secret Beach by The Secret Beach is called “The Secret Beach.” So, what (and who and where) is The Secret Beach? If this were a murder mystery, “Micah Erenberg in the Interlake with the Tascam 388 Recording Console” would be an accurate, albeit inadequate answer. The Secret Beach contains multitudes. It is the evening behind the wind and a cat pawing at static on a TV screen. It is looking for a way out while knowing it needs to be there to be the one for everybody it will become. It is Existential Interlake Psych-Surf.
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by Sam Doucet
Life and death. Right and wrong. Gods and mortals. The story of Faust, now centuries old, is a tale many times retold but always rife with moral quandaries and philosophical implications.
Continue reading “Album Review :: Mahogany Frog :: Faust”
by Myles Tiessen
It’s hard to describe the type of music Zoon makes. Their discography exists beyond any traditional classification and remains acutely unique to them.
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Sophie Claire Stevens hit the ground running as an artist in the summer of 2018. Those who were fortunate to witness her perform in any sort of capacity felt immediately connected, if not through her warm music, but her even warmer personality. In virtually no time, she was performing alongside Micah Erenberg at the Winnipeg Folk Festival over numerous sets. After a scheduling conflict for Micah, Stevens found herself performing alone on a bill opening for local indie pillar Kakagi, composing a set of her own material with a backing band to boot. With Love, Stevens’ debut LP, sees these songs finally given life beyond the stage.
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by Noah Cain
It is 4/20 in Winnipeg. Outside the West End Cultural Centre, the people shuffle and hop along slushy sidewalks. A Colorado Low approaches the Dakotas. It’ll reach us by the weekend, a cruel conclusion to what’s felt like a cruel April, a cruel winter, a cruel couple years.
Continue reading “Concert Review :: Boy Golden and the Church of Better Daze”
by Paul Newsom
Toronto singer-songwriter Tamara Lindeman returns with an equally deft and personal album as her group’s prior efforts. The Weather Station’s previous forays into bluegrass, pop, folk and jazz shine through in turn on her newest record, whose musical tone meets the album cover’s dense-dark-hopeful vibe.
Continue reading “Album Review :: Weather Station :: How Is It That I Should Look at the Stars”
