by Ryan Haughey
The Winnipeg Folk Festival is a time for sharing love, creating memories, and most of all, enjoying music. Artists from all over the world come together to create a shared experience in our Winnipeg home. Acts at both Main Stage and Little Stage in the Forest play their hearts out and share themselves with the audience for one magical weekend.
Continue reading “Festival Recap :: 47th Winnipeg Folk Festival”
by Jared Gauthier
When you think of a festival, a bicycle probably isn’t the first image that comes to mind. For Rainbow Trout Music Festival, bicycles and the popular Bike Jams have become synonymous with the festival, raising awareness, and funds, to help grow a local celebration.
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by Chris Bryson and Daniel Emberg
Even in the heyday of print publications, 30 years was a long time. For a small budget, locally focused music publication, 30 years is worth celebrating. Stylus has now made it over that hump, continuing to bring locally relevant music news and serving as the physical program guide for CKUW 95.9 FM, which is also our current publisher. Over the early summer, a couple of volunteers sat down with over a dozen past and present Stylus editors and staff members, whose experiences span from the first edition to the one in your hands. There was far more said than could possibly fit within these covers, so this is not intended to be comprehensive.
Continue reading “30 Years of Stylus Magazine”
by Olivia Michalczuk
Real Love Summer Fest attendees are in for a treat with Common Holly performing her new unreleased album When I say to you Black Lightning at the fest this year. At the time of her performance, Real Love goers will be one of the first audiences to hear these new tunes.
Continue reading “Festival Highlight :: Common Holly :: Real Love Summer Fest”
by Kaelen Bell
The barriers between indie-rock, pop and R&B have by this point all but disintegrated, and on their newest record, Royal Canoe have decided to fully embrace the hip-hop and R&B sounds that had previously only coloured their lurching alt-rock. It’s an evolution, not a reinvention, and the move towards a more obvious hip-hop palette feels like a natural and inevitable stop in the band’s journey rather than a complete overhaul of their sound.
Continue reading “Album Review :: Royal Canoe :: Waver”
Review by Ryan Haughey
Finally. If you’ve been eagerly awaiting more music from Warming since “White Lies” was released in early 2018, this is it. After a powerful barrage of singles, Warming’s self-titled album is here, and it’s everything if not more than anticipated.
Continue reading “Album Review :: Warming :: Warming”
by Ryan Haughey
2019 marks the 30th birthday of the Winnipeg Jazz Festival and this year has some exciting new events. Mike Falk, Jazz Winnipeg’s artistic director has been hard at work overseeing the production of the festival from the PA systems to the port-o-pottys and all points in-between.
Continue reading “30TH ANNUAL WINNIPEG JAZZ FESTIVAL”
by Chris Bryson
This year on Sunday night of the TD Winnipeg International Jazz Festival, The Cube in Old Martket Square might just lift-off.
by Jesse Popeski
On Yes We Mystic’s sophomore album Ten Seated Figures, Winnipeg quintet (or are there ten of them?) create an album that is broad and epic in sound and concept.
Continue reading “Album Review :: Yes We Mystic :: Ten Seated Figures”
Words by Mark Teague
Although Paige Drobot is no stranger to the Manitoba Music scene, Zero Thought presents us with the first intimate look at the artist via her first solo EP. Scheduled for release on June 7th through local label Transistor 66, Zero Thought provides a thoroughly existentialist journey that becomes increasingly hard to pin to any specific style or genre as each track utilizes a specific voice and diverse melange of instrumentals.
Continue reading “Album Preview :: Paige Drobot :: Zero Thought”
