by Paul Carruthers
Half Waif’s synth pop/chamber pop fusion album The Caretaker has some hits and some misses, but is a vulnerable and touching listen.
Continue reading “Album Review :: Half Waif :: The Caretaker”
by Myles Tiessen
After years of demos and high energy performances, REALiTY GROUP now releases into the wild a pure animalistic album, Music For Fools Vol. 1. Containing a certain level of abrasiveness that will bring your blood to a boil and enough animation to demand attention. This album will bring you into a familiar, yet contemporary form of punk.
Continue reading “Album Review :: REALiTY GROUP :: Music For Fools Vol. 1”
by Isiah Schellenberg
Toronto’s Little Kid is back with Transfiguration Highway after releasing Might As Well With My Soul back in 2018. This is the band’s fourth album and first release on Brooklyn’s Solitaire Recordings.
Continue reading “Album Review :: Little Kid :: Transfiguration Highway”
by Paul Carruthers
“Recorded on an Iphone 7 in a bedroom in Southern Winnipeg”, helle delivers a brief, and beautiful offering to the local indie rock scene.
Continue reading “Album Review :: helle :: helle”
by Ben Waldman
The Yuck frontman’s solo debut is a break-up album for a lonely era.
Readmore
by Isabella Soares
Times like these are truly unprecedented. Despite the cancellation of anticipated summer festivals and the closure of concert venues, Winnipeg based-band LLUX decided to remedy the chaos with the release of their debut album The Drive.
Continue reading “LLUX”
by Joshau Davi
Edit June 16, 2020 – Super Duty Tough Work is nominated for a Polaris Music Prize for Studies in Grey, the album discussed in this article. Stylus Magazine edited this piece to publish online, after originally being published in the August/September 2019 issue.
Continue reading “Super Duty Tough Work”
by Chris Bryson
When COVID-19 started taking its hold on a global scale, it was soon enough that festivals and venues would be cancelling their plans and closing their doors. On Monday March 16th, COVID-19’s impact on our long-term lives was further solidified as venue after venue posted to their online followers that they were closing, postponing, cancelling, getting ready for some major changes and challenges.
Continue reading “Strange Times :: Local Venues and COVID-19”
by Zoe McCrea
The contrast of Eliza Niemi’s gentle voice in Mauno always intrigued me. Niemi brought a soothing relief to the unexpected, sometimes chaotic nature of their songs. It’s not an overstatement to say I was slightly heartbroken when Mauno ended, so I was excited to discover I could hear more from her.
Continue reading “Album Review :: Eliza Niemi :: Glass”
by Ryan Haughey
In these ever-uncertain times of isolation, musicians and artists are taking a big hit. Due to the kiboshing of social gathering, live shows and yearly festivals are being cancelled left and right, and we are all itching to experience music as a community once again. From shows at the Handsome Daughter to jam nights at the Times Changed, our community is struggling to feel the togetherness that live music brings to our city.
Continue reading “Live Music in a Socially Isolated World”
