by Olivia Michalczuk
I started drum lessons at 9 years old. I wanted to be like… well, I’m not sure who I wanted to be like. My parents listened to a healthy blend of local rock, classic hair metal, and 80’s pop. Hence, the women I looked up to in music were Whitney Houston, Heart, and the Spice Girls, none of which had a female drummer. Continue reading “Girls Rock Winnipeg”
by Chris Bryson
Never a band to tread the same path twice, KEN mode’s return seemed destined to cover new ground. After having taken on bold variations of sound all rooted in the jagged rage of noise, the guys have landed in darker territory on their newest offering Loved. And judging by the first couple tracks released from the album, the KEN mode fury is alive and well. Continue reading “KEN mode”
by Chris Bryson
Continuing tradition can be a great thing. Apply that to music festivals and you’ve found many people’s version of heaven. Areas of the world have so many memories spread across what eventually becomes sacred musical land. The first ever Hoot Owl festival makes its home in Kerry, Manitoba at the old locale of the legendary Shine On festival and sets out to continue tradition while being its own thing in the process. Continue reading “Hoot Owl Festival :: New Name, Same Place, Familiar Spirit”
by Chris Bryson
Not many bands can make music that moves with such elegance, ease, and bounce as TOPS. Surely this is no easy feat, as the band has been honing their formula over the course of three albums, plus another in progress. Last year’s Sugar at the Gate, TOPS’ third full-length, found the band pushing their soft indie rock a la mellow disco-funk into a further refined breezy luster. Continue reading “TOPS :: Elegance and ease”
“Help me understand” is the new single from Bloom who is Daniel Monkman of former Winnipeg shoegaze pioneers The Blisters. The Ethereal sound scape created during the first two movements of the song symbolize the triumph over addiction, Racism and Self-destruction. Continue reading “New Track :: Bloom :: Help me understand”
by Chris Bryson
Seaway will be bringing their sugar-sheened pop punk back to Winnipeg on July 12 in support of last year’s Vacation. This will be the band’s first Canadian tour of the album but with the gap from release time, these guys haven’t let up. Running off a solid schedule on the road and recently coming off a tour in support of Sum 41, the band have been making waves with their sprightly summery tunes. With a bit of a break before starting their tour off in Winnipeg, Stylus caught up with Seaway’s lead vocalist Ryan Locke to see how things have been going. Continue reading “Seaway”
by Chris Bryson
Votov’s music is grounded in the roots of death metal — borne of its vortex of brutality and darkness. The Winnipeg trio’s self-titled debut is a hardened take on death metal’s more rugged and foundational aspects. it’s music made for crumbling worlds and thrashing bodies in circling pits. Continue reading “Album Review :: Votov :: Votov”
Mike Milosh is the driving force behind Rhye, the Canadian R&B project set to wrap up the Big Blue stage on the Friday night of this year’s Winnipeg Folk Festival. Milosh spoke with Stylus about his workhorse tour schedule and what he’s been up to in the five years between Rhye’s 2013 debut album, Woman, and 2018’s follow-up record, Blood. Read the full interview to geek out on hotel safety and microphone set up advice, and find out how you can help hype their Folk Fest Friday night set. Continue reading “RHYE :: WINNIPEG FOLK FESTIVAL”
by Olivia Michalczuk
Folk duo and twins Lucas and Madeleine Roger are preparing to open the festival and play the main stage at what they refer to as a second home, Winnipeg Folk Festival. Their family is no stranger to the festival. The family’s colourful history with WFF dates further back than their first-year camping as babies in 1992. Continue reading “Roger Roger :: Winnipeg Folk Festival”
by Brandon Bertram
Phoebe Bridgers doesn’t remember a time she wasn’t into music. “I listened to a shit ton of music when I was a kid, I went to concerts all the time when I was a teenager. I can’t remember not playing or not wanting to be a musician,” she tells me over the phone from L.A. Continue reading “Phoebe Bridgers”
