by Sheldon Birnie
Like The Boss said, “Summer’s here and the time is right for racing in the streets.” Continue reading “Hillbilly Highway – Back on the Road”
by Sheldon Birnie
Like The Boss said, “Summer’s here and the time is right for racing in the streets.” Continue reading “Hillbilly Highway – Back on the Road”
After a disturbingly friendly-weathered day, John K. Samson welcomes the subzero chill that we Winnipeggers are so familiar with. “I’m kind of relieved it’s getting a little colder. It was freaking me out yesterday. It was kind of unsettling… We need the real winter,” he explains over the phone. Continue reading “Citing Sources :: John K. Samson’s “Provincial””
by Sheldon Birnie
Ray Wylie Hubbard is a goddamn beauty, bottom line. Continue reading “Hillbilly Highway – Take heed of the Grifter’s Hymnal”
In mid 2010, I started billing myself as a DJ who played Solntsetsvety. Solntsetsvety – or Солнцецветы, a Russian word that translates to Sun Flowers (abbreviated СЦ in Cyrillic) – is an artist network which has been spawning lo-fi tracks and albums ranging from harsh noise and pure experimental to transcendental kraut jams and lo-fi reggaes since the late ’90s. Solntsetsvety is based – sort of – in cities Minsk, Belarus and Moscow, Russia, and sort of on their website, lesom.ru. The groups belonging to Solntsetsvety were hard to penetrate, even armed with digital translation and English articles on David MacFadyen’s Far From Moscow blog. Solntsetsvety was magic – and a mystery too intense to shrug off. Continue reading “.RU :: Underground tweenoise masters in the post-USSR”