by Myles Tiessen
It’s hard to describe the type of music Zoon makes. Their discography exists beyond any traditional classification and remains acutely unique to them.
Continue reading “Interview :: Zoon”by Myles Tiessen
It’s hard to describe the type of music Zoon makes. Their discography exists beyond any traditional classification and remains acutely unique to them.
Continue reading “Interview :: Zoon”by Noah Cain
It is 4/20 in Winnipeg. Outside the West End Cultural Centre, the people shuffle and hop along slushy sidewalks. A Colorado Low approaches the Dakotas. It’ll reach us by the weekend, a cruel conclusion to what’s felt like a cruel April, a cruel winter, a cruel couple years.
Continue reading “Concert Review :: Boy Golden and the Church of Better Daze”by Kaelen Bell
Lizzy Burt is busy. After spending the summer playing shows across Canada, the Juniper Bush front person (and solo artist, under the name elizabeth) recently dove head first into an entirely new passion, one that’s consumed her time for the past several months – a framing shop. Continue reading “Juniper Bush and The Framing Queen of Winnipeg”
Photo by ONSITE
Words by Nigel Webber
“My album will manifest many things that I saw, did or heard about” – OC
“Ok I guess I’m really doing this,” HAVS thought after her February 2018 opening set for SonReal at the Garrick Centre. Only about a year into recording music seriously at that point, HAVS opener for SonReal was only her second live show with her as a promoted act. At the time she was one half of the duo Pesh x HAVS but since has chosen to branch out and go solo. Continue reading “Winnipeg State of Mind :: HAVS”
styxcitycult. From left to right: 10kay, DIEmond, Phre$h Prince, lilnappyboi, STMBLZ, Ivan Silk, Yung Romello, drinkbleachh, Jesse Meush, SpaghKing, Thatcher Robinson and Yung Emerald. Not pictured: Postwar, Shea and TRRM.
Photos by Graeme Houssin and J. De Castro
Words by Graeme Houssin
When rapper SpaghKing entered the Winnipeg scene, he found a city divided. Harsh lines separated genres, and “old hip hop heads” dominated the rap scene as arbiters of taste, only booking artists that conformed to their ideas of what rap could and must be. Continue reading “Bridging the Styx :: Music collective Styx City Cult talk Greek mythology, supporting local artists and creating a platform for the weird kids”
by Nigel Webber
Anthony OKS has achieved certified banger status with “TBA.” OKS, a member of long running Winnipeg hip-hop group the Lytics, has a new single from his solo project that features his brother and fellow Lytic, Andrew O. The beat for “TBA,” produced by Paalsh, is driven by a pulsing bass guitar riff, allowing OKS’ vocals to reinforce the urge to head nod. Continue reading “Track Review :: Anthony OKS “TBA””
by Zoe Lebrun
The subgenre of art rock is generally described as being music that involves challenging, avant-garde, unconventional, or experimental musical elements. By this definition, one could come to the conclusion that Suuns is practically the epitome of modern art rock. With the release of their LP Felt, recent music video for their song “Look No Further”, and upcoming Canadian tour on the way, we talked to guitarist Joe Yarmush, to find out more about this intriguing group. Continue reading “SUUNS”
by Jen Doerksen
Rae Spoon’s new LP bodiesofwater comes out on the twentieth anniversary of the first show Spoon ever played, and ten years after the release of their break-out album superioryouareinferior. As a non-binary person, Rae is no stranger to having an identity that doesn’t fit societal and legal structures. Like bodies, water is regulated and increasingly commodified, despite being fundamental to life. On this, Spoon’s ninth album, they explore their common ground and connections with the ocean surrounding their Vancouver Island home. Continue reading “Interview :: Rae Spoon”
by Kaelen Bell
“I have a bit of a cold,” Tamara Lindeman says, a little apologetically, as she kneels to quietly blow her nose. The crowd laughs gently and murmurs with sympathy, though they seem to watch even this small moment with baited breath. It hasn’t broken the hex. Continue reading “Live show review :: The Weather Station”
by Chris Bryson
Following an experimental route in any artistic medium involves taking chances, sticking by them, and a drive for continued evolution. Beth’s mutating avant-garde aspirations put the trio in a wheelhouse where not many Winnipeg bands dwell, but that hasn’t kept them from digging deeper into the unknown. Continue reading “Beth”