Who Are The Suburbs and Why Have they Stolen Slim’s Grammy?

Photo reinterpreted by Elise d'Awson

By David Nowacki
When Barbra Streisand stutteringly and with contorted effort announced Arcade Fire to be the recipients of the Album of the Year award at the Grammys, her seeming ignorance of who the evening’s winners were, let alone how to pronounce their name, seemed demurely aged but reasonable for a near-septuagenarian who seemingly spends most of her time waxing nostalgic and eyebrows rather than paying attention to what the kids are listening to.
Her reaction, however, was facsimiled across the faces of the general viewership, who inevitably took to that bastion of unrequited fury that is the Internet. Social networks, most visibly Twitter, were instantly peppered with CAPS LOCK’d and profanity-laden tirades of unimaginable fury directed at the quiet Canucks who had obviously stolen a coveted Grammy from right under a formidable group of Billboard-dominating heavyweights comprised of Eminem, Lady Gaga, Lady Antebellum (who had already won five of the six awards they had been nominated for that night), and Katy Perry. There was such an outpouring of abject and violent rage that an amused looker-on was quick to open a Tumblr account as a forum for the previously uncollected outbursts, which read like an irate fifth-grader’s account of how his best buddy was horribly jilted at the most recent school talent show.
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