{"id":10653,"date":"2017-08-15T15:56:57","date_gmt":"2017-08-15T15:56:57","guid":{"rendered":"http:\/\/stylusmagazine.ca\/?p=10653"},"modified":"2026-04-18T17:09:11","modified_gmt":"2026-04-18T22:09:11","slug":"pallbearer","status":"publish","type":"post","link":"https:\/\/ckuw.ca\/stylus\/2017\/08\/15\/pallbearer\/","title":{"rendered":"Pallbearer"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-10654\" src=\"http:\/\/www.stylusmagazine.ca\/wp-content\/uploads\/pallbearer-500x323.png\" alt=\"\" width=\"500\" height=\"323\" \/><\/p>\n<p><b>by Chris Bryson<\/b><\/p>\n<p><b>\u00a0<\/b><span style=\"font-weight: 400;\">The reaches of metal have always been in flux and constantly pushed by those with innovative minds, who dare to defy genre expectations and purist mores. In recent years especially so, it&#8217;s been crossover metal that has been increasingly breaching the mainstream, and\u00a0it&#8217;s been the permutations across genres that increasingly bring non-metal fans to metal music, to embrace the might and the magic &#8211; the burn and the beast.<\/span><!--more--><span style=\"font-weight: 400;\">Pallbearer are a band who\u2019s found captivation through mountainous sound, wisdom through wounds and despair, and redemption in a difficult world. Their sound is a dynamic blend of doom-prog metal that melds the slow, heavy, and mournful pacing of doom with the evolving and shimmering circuitry of prog for results that are emotionally vibrant and cathartic.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The band will be playing the Good Will on August 23<\/span><span style=\"font-weight: 400;\">rd<\/span><span style=\"font-weight: 400;\"> in the midst of an extensive tour that runs from July 29<\/span><span style=\"font-weight: 400;\">th<\/span><span style=\"font-weight: 400;\"> to November 9<\/span><span style=\"font-weight: 400;\">th<\/span><span style=\"font-weight: 400;\"> and will take them all over the United States, Canada, and Europe.<\/span><\/p>\n<p><i><span style=\"font-weight: 400;\">Stylus<\/span><\/i><span style=\"font-weight: 400;\"> spoke with Joseph D. Rowland, bass player and backing vocalist for the band, about their upcoming tour, their new album <\/span><i><span style=\"font-weight: 400;\">Heartless<\/span><\/i><span style=\"font-weight: 400;\">, music\u2019s increasing genre crossover abilities, and a few other things along the way.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Rowland says the band has been to Winnipeg once before in February of 2013 with Enslaved, when the band got snowed in and were forced to stay in the city for three days. \u201cI don\u2019t know that touring through Canada in February was maybe the greatest scheduling,\u201d Rowland says with a laugh, \u201cI guess it was fine for Enslaved because they\u2019re used to that sort of weather.\u201d<\/span><\/p>\n<p><span style=\"font-weight: 400;\">With the release of their most recent album, <\/span><i><span style=\"font-weight: 400;\">Heartless<\/span><\/i><span style=\"font-weight: 400;\">, the band took a different route with recording this time around. Rowland says the recording was different \u201cin every way you can imagine,\u201d and their results were everything they sought to achieve.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u201cWe decided to record the record in Little Rock this time instead of going somewhere else which we had done on our previous two albums,\u201d says Rowland. \u201cApart from that in the interim between <\/span><i><span style=\"font-weight: 400;\">Foundations of Burden <\/span><\/i><span style=\"font-weight: 400;\">and <\/span><i><span style=\"font-weight: 400;\">Heartless <\/span><\/i><span style=\"font-weight: 400;\">I had relocated to New York City, so a lot of the record was written basically sharing stuff over the internet and then I would fly down every month to rehearse over the stuff with everybody leading up to the recording of the album. So I mean just on those two things alone it was markedly different than anything we had done before.\u201d<\/span><\/p>\n<p><span style=\"font-weight: 400;\">With making <\/span><i><span style=\"font-weight: 400;\">Foundations of Burden <\/span><\/i><span style=\"font-weight: 400;\">the band found that their living conditions made for stressful and less than ideal living conditions.\u00a0Rowland says that they were \u201cliving in the studio where we were recording every day and it got to the point where it was madness inducing. Every day sort of just bled into another and because we weren\u2019t leaving the place we were working it started to seem like we were living in some sort of nightmare.\u201d<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Rowland says that the band \u201cknew that (<\/span><i><span style=\"font-weight: 400;\">Heartless<\/span><\/i><span style=\"font-weight: 400;\">) was going to be really challenging to record because the songs are significantly more complex than anything (they) had done before.\u201d So in an attempt to reconcile the difficulties that came with their previous album\u2019s living conditions, improve upon certain aspects of their sound, and be able to fully immerse themselves in their music and creative expression, they found a new location to record in.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u201cWe wanted to give ourselves a very low stress environment to record in which made sense to do in the neighborhood. Like basically the studio where we recorded the record was in the same neighborhood where everybody else lived,\u201d explains Rowland. \u201cIt was a choice on our part to lessen some of the other stressors that had arisen in the past when we\u2019ve recorded and to be able to focus solely on the album itself and take it easy instead of, you know recording a record but also living kind of in a non-ideal situation in another city while we were recording, being cooped up in the studio or something.\u201d<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Pallbearer are a band known for their broad array of influences and their fearlessness with incorporating certain sonic elements into a genre that\u2019s not typically associated with those sounds. At least to the degree that Pallbearer have quested to discover.<\/span><\/p>\n<p><span style=\"font-weight: 400;\"><em>Stylus<\/em> asked Rowland his opinions on their success and genre crossover accessibility and likened their music for bringing doom metal to light in a similar way that Deafheaven brought black metal to light, a band that Rowland professedly loves and who Pallbearer have toured with in the past.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u201cI definitely think that their ability to pull from a lot of different genres to create the music that they make is really excellent. And I mean I feel that musically we\u2019re pretty different from them but yeah I guess I would agree that just on a very basic level we are essentially trying to create music without limits,\u201d Rowland explains. \u201cFrom all of our vast amounts of music that we feel strongly about or influenced by we\u2019re basically willing to consider anything collectively as a direction that we might be interested in going in as long as we all agree that it\u2019s fitting for what we want to do. I don\u2019t know how that may or may not translate to any sort of crossover success but I think we are willing to consider many, many different kinds of elements that sort of fall outside of the things that a lot of genre purists or true cult metal fans may consider to be sort of false things. We don\u2019t really give a fuck about sticking to any sort of orthodox idea of what metal or music should be at all.\u201d<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">Pallbearer will be playing the Good Will with Kayo Dot and Bask on the heels of a series of select shows with GOST, Oni, and Gojira, before heading overseas for select shows with Paradise Lost. Becoming veterans to touring, and with plenty of success on their back, Pallbearer will be crossing Canada with their own mountainous and momentous force.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>by Chris Bryson \u00a0The reaches of metal have always been in flux and constantly pushed by those with innovative minds, who dare to defy genre expectations and purist mores. In recent years especially so, it&#8217;s been crossover metal that has been increasingly breaching the mainstream, and\u00a0it&#8217;s been the permutations across genres that increasingly bring non-metal [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5],"tags":[],"class_list":["post-10653","post","type-post","status-publish","format-standard","hentry","category-features"],"_links":{"self":[{"href":"https:\/\/ckuw.ca\/stylus\/wp-json\/wp\/v2\/posts\/10653","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ckuw.ca\/stylus\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ckuw.ca\/stylus\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ckuw.ca\/stylus\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/ckuw.ca\/stylus\/wp-json\/wp\/v2\/comments?post=10653"}],"version-history":[{"count":1,"href":"https:\/\/ckuw.ca\/stylus\/wp-json\/wp\/v2\/posts\/10653\/revisions"}],"predecessor-version":[{"id":13069,"href":"https:\/\/ckuw.ca\/stylus\/wp-json\/wp\/v2\/posts\/10653\/revisions\/13069"}],"wp:attachment":[{"href":"https:\/\/ckuw.ca\/stylus\/wp-json\/wp\/v2\/media?parent=10653"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ckuw.ca\/stylus\/wp-json\/wp\/v2\/categories?post=10653"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ckuw.ca\/stylus\/wp-json\/wp\/v2\/tags?post=10653"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}