{"id":11213,"date":"2018-10-01T18:49:28","date_gmt":"2018-10-01T18:49:28","guid":{"rendered":"https:\/\/ckuw.ca\/stylus\/?p=11213"},"modified":"2018-10-01T18:49:28","modified_gmt":"2018-10-01T18:49:28","slug":"send-receive-embarks-on-third-decade","status":"publish","type":"post","link":"https:\/\/ckuw.ca\/stylus\/2018\/10\/01\/send-receive-embarks-on-third-decade\/","title":{"rendered":"Send + Receive\u00a0Embarks on Third Decade"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-11216\" src=\"https:\/\/ckuw.ca\/stylus\/wp-content\/uploads\/2018\/10\/sendrece.jpg\" alt=\"\" width=\"677\" height=\"960\" srcset=\"https:\/\/ckuw.ca\/stylus\/wp-content\/uploads\/2018\/10\/sendrece.jpg 677w, https:\/\/ckuw.ca\/stylus\/wp-content\/uploads\/2018\/10\/sendrece-212x300.jpg 212w\" sizes=\"auto, (max-width: 677px) 100vw, 677px\" \/><\/p>\n<p><strong>by Kaelen Bell<\/strong><\/p>\n<p><span style=\"font-weight: 400;\">Strange weather brings stranger vibrations as Send + Receive Festival descends on Winnipeg in its 20<\/span><span style=\"font-weight: 400;\">th<\/span><span style=\"font-weight: 400;\"> incarnation, with a new host of artists, alchemists and alien dispatches. <\/span><!--more--><\/p>\n<p><span style=\"font-weight: 400;\">The long-running multimedia festival\u2019s 2018 concert series features 12 artists, half of whom are Manitoban, and runs October 4-7.<\/span><span style=\"font-weight: 400;\"> The performances span a dizzying array of textures and possibilities, including unearthed family recordings, handmade synthesizers, field-recordings, and improvisational electronic, guitar, and percussive music. <\/span><span style=\"font-weight: 400;\">In celebration of two decades of noise, the festival is also welcoming the long-awaited arrival of an experimental legend. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">Festival Director crys cole has been a purveyor of experimental music since her youth, and she relies on her experience in the corporeal world of noise to curate a festival dedicated to opening the minds of those in attendance \u2013 and opening doors for those performing. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u201cA big part of the festival is the community building aspect, the ability for local artists to network with older artists and create some inspiration and creative energy flow,\u201d she says. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">cole, a sound artist in her own right, says that her work with the festival is meant to expose people to something they\u2019ve never seen before \u2013 and create something memorable, even if they don\u2019t necessarily enjoy it. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u201cThat\u2019s always a really rewarding experience, because I\u2019ve had people hate performances. They come up to me and say \u2018I did not like that\u2026. but I\u2019ll never forget it,\u2019\u201d she says, laughing. \u201cBut then they say, \u2018that other thing, earlier in the night, that was amazing.\u2019 It\u2019s about creating an experience for everyone involved.\u201d<\/span><\/p>\n<p><span style=\"font-weight: 400;\">cole describes Send + Receive as a centralized forum for freaks, artists, and sonic explorers from around the globe.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u201cI feel like the central location of Winnipeg is interesting because it\u2019s a part of Canada most people would never go. So that\u2019s kind of exciting, to bring these weirdos from Belgium and Japan to the middle of Canada,\u201d she says.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">One such weirdo, and this year\u2019s main draw and guest of honour, is world-destroying Japanese noise icon Keiji Haino, who is playing Send + Receive for the first time. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">A life-long fan of Haino, cole says she\u2019s thrilled to finally have him, and is excitedly anticipating the impact that his indescribable music will have on audiences. \u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u201cI\u2019ve had the pleasure of seeing Keiji play many times over the years. I\u2019ve always felt, every time I see him perform, \u2018I think Winnipeggers would just have their heads blown off seeing this,\u201d she says. \u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Haino has been creating avant-garde music for four decades, working primarily with voice and guitar, though his work has encompassed dozens of styles, energies and influences without ever hitting a familiar note. He\u2019s a sonic chameleon, his works impossible to anticipate and difficult to forget. It\u2019s this state of constant evolution that draws cole to his work.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u201cTo me, that\u2019s what keeps his work really alive and really exciting, and sometimes completely perplexing. Sometimes I see him do something and I\u2019m like <\/span><i><span style=\"font-weight: 400;\">\u2018what on earth?\u2019<\/span><\/i><span style=\"font-weight: 400;\"> He\u2019s really surprising and energetic and really, really singular,\u201d she says. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">Haino is not the only first for Send + Receive this year, as the festival\u2019s first ever Brazilian performer, composer Manuel Lima, is joining a collection of boundary-pushing artists including composer and percussionist Sarah Hennies, and Manitoba\u2019s own Dee Barsy. \u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Keiji Haino will kick off the Send + Receive concert series, and rearrange some minds, on October 4 with a solo acoustic percussion performance at the Winnipeg Art Gallery. Tickets are $15 dollars and the show begins at 8:00. <\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>by Kaelen Bell Strange weather brings stranger vibrations as Send + Receive Festival descends on Winnipeg in its 20th incarnation, with a new host of artists, alchemists and alien dispatches.<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5],"tags":[1344,1189,1348,329,1286,1349,567,590,673,1204,1346,1343,1342,1347,1345,1341,1191,1104],"class_list":["post-11213","post","type-post","status-publish","format-standard","hentry","category-features","tag-analog","tag-cool","tag-experiment","tag-experimental","tag-fun","tag-harp","tag-loud","tag-manitoba","tag-noise","tag-power","tag-quiet","tag-receive","tag-send","tag-soft","tag-sound","tag-sound-art","tag-synth","tag-winnipeg"],"_links":{"self":[{"href":"https:\/\/ckuw.ca\/stylus\/wp-json\/wp\/v2\/posts\/11213","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ckuw.ca\/stylus\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ckuw.ca\/stylus\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ckuw.ca\/stylus\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/ckuw.ca\/stylus\/wp-json\/wp\/v2\/comments?post=11213"}],"version-history":[{"count":1,"href":"https:\/\/ckuw.ca\/stylus\/wp-json\/wp\/v2\/posts\/11213\/revisions"}],"predecessor-version":[{"id":11217,"href":"https:\/\/ckuw.ca\/stylus\/wp-json\/wp\/v2\/posts\/11213\/revisions\/11217"}],"wp:attachment":[{"href":"https:\/\/ckuw.ca\/stylus\/wp-json\/wp\/v2\/media?parent=11213"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ckuw.ca\/stylus\/wp-json\/wp\/v2\/categories?post=11213"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ckuw.ca\/stylus\/wp-json\/wp\/v2\/tags?post=11213"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}