{"id":11729,"date":"2020-04-02T12:23:42","date_gmt":"2020-04-02T17:23:42","guid":{"rendered":"https:\/\/ckuw.ca\/stylus\/?p=11729"},"modified":"2026-05-06T15:28:32","modified_gmt":"2026-05-06T20:28:32","slug":"album-review-nnamdi-brat","status":"publish","type":"post","link":"https:\/\/ckuw.ca\/stylus\/2020\/04\/02\/album-review-nnamdi-brat\/","title":{"rendered":"Album Review :: NNAMD\u00cf :: BRAT"},"content":{"rendered":"\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1024\" src=\"https:\/\/ckuw.ca\/stylus\/wp-content\/uploads\/2020\/04\/nnamdi-1024x1024.jpg\" alt=\"\" class=\"wp-image-11730\" srcset=\"https:\/\/ckuw.ca\/stylus\/wp-content\/uploads\/2020\/04\/nnamdi-1024x1024.jpg 1024w, https:\/\/ckuw.ca\/stylus\/wp-content\/uploads\/2020\/04\/nnamdi-300x300.jpg 300w, https:\/\/ckuw.ca\/stylus\/wp-content\/uploads\/2020\/04\/nnamdi-150x150.jpg 150w, https:\/\/ckuw.ca\/stylus\/wp-content\/uploads\/2020\/04\/nnamdi-768x768.jpg 768w, https:\/\/ckuw.ca\/stylus\/wp-content\/uploads\/2020\/04\/nnamdi-100x100.jpg 100w, https:\/\/ckuw.ca\/stylus\/wp-content\/uploads\/2020\/04\/nnamdi.jpg 1200w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p><strong>by Olivier LaRoche<\/strong><\/p>\n\n\n\n<p>On his most recent full length project, NNAMD\u00cf displays his talents as a multi-instrumentalist and songwriter. <em>BRAT<\/em> is a tight collection of sweet, colourful tracks all tied together with a general theme of introspective intimacy. <\/p>\n\n\n\n<!--more-->\n\n\n\n<p>NNAMD\u00cf uses vocal manipulation throughout <em>BRAT<\/em>, always in creative ways. From ad-libs to melodic hooks, NNAMD\u00cf shows his skill and versatility using autotune and similar techniques to add a new dimension to his vocals. For a feature that can soon become tired over the course of a full-length album, he manages to keep it fresh, each time adding an interesting quality to the song. The unpredictable vocal manipulation is coupled with dynamic shifts throughout the album and provides sufficient ups and downs to keep the listening experience captivating.<\/p>\n\n\n\n<p>On the instrumental side of things, many songs are laid with a blanket of lush instrumentation behind the soft vocals to further envelop the listener in NNAMD\u00cf\u2019s emotions. His introspective themes of self-affirmation and hope are perfectly mirrored by the often delicate instrumentals.&nbsp;<\/p>\n\n\n\n<p>The track \u201cIt\u2019s OK\u2019\u2019 is a great example of this with its warm synth patterns and minimalist beat. The song \u201cEveryone I Loved\u2019\u2019 takes a similar approach at first, but it eventually builds into a more upbeat and busy sound. A stunning piano solo makes up the last leg of the song, providing a beautiful sense of closure. Sound effects are briefly experimented with, like the interweaving of songbirds on the track \u201cSalut\u2019\u2019 and the water droplets that introduce the song \u201cReally Don\u2019t\u2019\u2019.&nbsp;<\/p>\n\n\n\n<p>The vulnerability of the lyrics give the sense that one is hearing the artist\u2019s thoughts and feelings in an intimate context, giving another reason to listen to the album from front to back. Stopping the album midway would be like hanging up on one\u2019s friend who is in the middle of opening up about personal issues. The reward for staying on the line and listening to the whole project is a tasteful blend of melodic pop that tells the story of NNAMD\u00cf\u2019s current life. Not only is the music enjoyable, but there is an imaginary bond formed between listener and artist thanks to the personal nature of the lyrics and their pairing to such delicate instrumentals. <br><\/p>\n","protected":false},"excerpt":{"rendered":"<p>by Olivier LaRoche On his most recent full length project, NNAMD\u00cf displays his talents as a multi-instrumentalist and songwriter. BRAT is a tight collection of sweet, colourful tracks all tied together with a general theme of introspective intimacy.<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[9],"tags":[],"class_list":["post-11729","post","type-post","status-publish","format-standard","hentry","category-reviews"],"_links":{"self":[{"href":"https:\/\/ckuw.ca\/stylus\/wp-json\/wp\/v2\/posts\/11729","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ckuw.ca\/stylus\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ckuw.ca\/stylus\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ckuw.ca\/stylus\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/ckuw.ca\/stylus\/wp-json\/wp\/v2\/comments?post=11729"}],"version-history":[{"count":1,"href":"https:\/\/ckuw.ca\/stylus\/wp-json\/wp\/v2\/posts\/11729\/revisions"}],"predecessor-version":[{"id":11731,"href":"https:\/\/ckuw.ca\/stylus\/wp-json\/wp\/v2\/posts\/11729\/revisions\/11731"}],"wp:attachment":[{"href":"https:\/\/ckuw.ca\/stylus\/wp-json\/wp\/v2\/media?parent=11729"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ckuw.ca\/stylus\/wp-json\/wp\/v2\/categories?post=11729"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ckuw.ca\/stylus\/wp-json\/wp\/v2\/tags?post=11729"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}