{"id":3826,"date":"2012-03-02T09:53:07","date_gmt":"2012-03-02T15:53:07","guid":{"rendered":"http:\/\/stylusmagazine.ca\/?p=3826"},"modified":"2012-03-02T09:53:07","modified_gmt":"2012-03-02T15:53:07","slug":"the-hidden-words-explore-the-bahai-faith-in-song","status":"publish","type":"post","link":"https:\/\/ckuw.ca\/stylus\/2012\/03\/02\/the-hidden-words-explore-the-bahai-faith-in-song\/","title":{"rendered":"The Hidden Words explore the Bah\u00e1\u2019\u00ed faith in song"},"content":{"rendered":"<div><a rel=\"attachment wp-att-3827\" href=\"http:\/\/stylusmagazine.ca\/2012\/03\/02\/the-hidden-words-explore-the-baha%e2%80%99i-faith-in-song\/149958_457150478089_541868089_5534639_2908112_n\/\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-large wp-image-3827\" title=\"149958_457150478089_541868089_5534639_2908112_n\" src=\"http:\/\/stylusmagazine.ca\/wp-content\/uploads\/149958_457150478089_541868089_5534639_2908112_n-500x394.jpg\" alt=\"\" width=\"500\" height=\"394\" \/><\/a><\/div>\n<div><span id=\"internal-source-marker_0.8728354477789253\"><br \/>\n<strong>By Sheldon Birnie<\/strong><\/p>\n<p>The Hidden Words is a Montr\u00e9al-based acoustic folk-pop project celebrating the scriptural tradition of the Bah\u00e1\u2019\u00ed faith. Initiated by Alden Penner (ex-Unicorns, Clues), the project has grown to include Penner\u2019s old friend and collaborator Jamie Thompson (ex-<a href=\"http:\/\/www.youtube.com\/watch?v=qutcmPmYUpg\" target=\"_blank\">Unicorns<\/a>, ex-Islands), as well as Marie-Claire Saindon, Neah Bahji Kelly, James Farr, and Ben Howden.<!--more--><\/p>\n<p><\/span><\/div>\n<div><span id=\"internal-source-marker_0.8728354477789253\"><br \/>\nThe music is different than Penner\u2019s previous projects, but not necessarily a departure.<\/span><\/div>\n<div><span id=\"internal-source-marker_0.8728354477789253\"><br \/>\n\u201cI suppose there\u2019s not an overarching difference in the songs, in that these are songs that I\u2019ve structured myself, so I guess there\u2019s a signature to that,\u201d Penner said over the phone from Montr\u00e9al. \u201cBut at the heart of the project, we\u2019ve sort of decided to have it as a point of focus the writings of the Bah\u00e1\u2019\u00ed faith; the spiritual nature and the mystical quality of the relationship between man and God.\u201d<\/span><\/div>\n<div><span id=\"internal-source-marker_0.8728354477789253\"><br \/>\n\u201cIn so doing,\u201d he continues, \u201cthe project is intended to communicate something of the spirit of those writings in a beautiful way through music. And hopefully do justice to the work by having them translate into actions, whether that\u2019s doing kind of things that bands don\u2019t normally do, like playing in homes, or elevating people\u2019s souls through music, or, indirectly by inspiring other people into doing other benevolent acts or good deeds.\u201d<\/span><\/div>\n<div><span id=\"internal-source-marker_0.8728354477789253\"><br \/>\nPenner says the Hidden Words \u201cemerged out of a long winter and spring thaw following a period of inactivity with <a href=\"http:\/\/cstrecords.com\/clues\/\" target=\"_blank\">Clues <\/a>where I kind of decided that I wanted to be more involved in a local community and make music that was more reflective of where my mind and body are at the moment.\u201d<\/span><\/div>\n<div><span id=\"internal-source-marker_0.8728354477789253\"><br \/>\n\u201cWith the previous project Clues, it was more of a repository of older songs; songs that dated back to high school or songs I was playing with other bands, so it felt a little anachronistic. This project emerged in the spring of 2010 as a repository of more current songs that I was writing, and just trying to memorize some of those passages from the writing [of the Bah\u00e1\u2019\u00ed faith]. It kind of went more hand in hand with what I was actually doing in the present, and was more reflective, or of an intended more harmonious reflection of my life.\u201d<\/span><\/div>\n<div><span id=\"internal-source-marker_0.8728354477789253\"><br \/>\nMany of those songs have now found their way onto the first Hidden Words album,<em> Free Thyself From the Fetters of This World<\/em>, which was recorded in the summer of 2010 and released in December 2011. According to the band\u2019s website, mixing of a second album is underway. On <em>Free Thyself<\/em>, Penner plays the bulk of instruments himself, from acoustic, electric and bass guitar to vibraphone and piano.<\/span><\/div>\n<div><span id=\"internal-source-marker_0.8728354477789253\"><br \/>\n\u201cI\u2019ve been playing music since I was pretty young. I think the first instrument I started playing was either the recorder or the violin,\u201d Penner explains. \u201cThen it\u2019s been a succession of learning different instruments, taking private piano lessons for a long time, up until joining school band and learning how to play the trumpet. Then moving through the percussion section and the bass guitar.\u201d <em>[Disclosure: I played clarinet in elementary school band with Alden in Dawson Creek, BC. We all wore dorky red cardigans with a bulldog on the breast to recitals.]<\/em><\/span><\/div>\n<div><span id=\"internal-source-marker_0.8728354477789253\"><br \/>\nLyrically, the Hidden Words draw their content directly from the spiritual scriptures of the Bah\u00e1\u2019\u00ed faith (quite literally, \u201cthe Hidden Words\u201d). <em>Free Thyself<\/em> features vocals, by Penner, in English, French, and Spanish.<\/span><\/div>\n<div><span id=\"internal-source-marker_0.8728354477789253\"><br \/>\n\u201cI think that\u2019s also reflective of my current and more recent experience. I\u2019ve been living in Quebec for an eight-year stretch now. I actually grew up here, and was born in this province and lived here until I was about eight years old,\u201d Penner says. \u201cThe French language has been a part of my world in a big way. It\u2019s only been more progressively integrated into my music. With the Spanish, that kind of happened spontaneously one evening. I was handling a document, one of these prayers in Spanish that I was familiar with in English had a kind of musicality to that language that kind of flowed right out.\u201d<\/span><\/div>\n<div><span id=\"internal-source-marker_0.8728354477789253\"><br \/>\nThe coming year sees the Hidden Words continuing to write and play around Montr\u00e9al, with the idea of taking their music further a field as the year progresses.<\/span><\/div>\n<div><span id=\"internal-source-marker_0.8728354477789253\"><br \/>\n\u201cWe are eager to explore new places to play,\u201d Penner admits, \u201cbut sometimes there\u2019s just a misunderstanding of what the projects is, based on the excitement of our previous involvement in these other bands, and we end up playing somewhere at two o\u2019clock in the morning, at some bar. That\u2019s fine and everything, but I think the hostility that results through our words in that situation can be sort of overbearing. We want to make sure that we get out there in the right way.\u201d<\/p>\n<p><em>Check out the Hidden Words\u2019 debut album at <\/em><a href=\"http:\/\/thehiddenwords.bandcamp.com\"><em>http:\/\/thehiddenwords.bandcamp.com<\/em><\/a><em>, and cross your fingers for a Winnipeg date later this year.<\/em><\/p>\n<p><\/span><\/div>\n","protected":false},"excerpt":{"rendered":"<p>By Sheldon Birnie The Hidden Words is a Montr\u00e9al-based acoustic folk-pop project celebrating the scriptural tradition of the Bah\u00e1\u2019\u00ed faith. Initiated by Alden Penner (ex-Unicorns, Clues), the project has grown to include Penner\u2019s old friend and collaborator Jamie Thompson (ex-Unicorns, ex-Islands), as well as Marie-Claire Saindon, Neah Bahji Kelly, James Farr, and Ben Howden.<\/p>\n","protected":false},"author":12,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5],"tags":[453,632,1051],"class_list":["post-3826","post","type-post","status-publish","format-standard","hentry","category-features","tag-indie","tag-montreal","tag-unicorns"],"_links":{"self":[{"href":"https:\/\/ckuw.ca\/stylus\/wp-json\/wp\/v2\/posts\/3826","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ckuw.ca\/stylus\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ckuw.ca\/stylus\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ckuw.ca\/stylus\/wp-json\/wp\/v2\/users\/12"}],"replies":[{"embeddable":true,"href":"https:\/\/ckuw.ca\/stylus\/wp-json\/wp\/v2\/comments?post=3826"}],"version-history":[{"count":0,"href":"https:\/\/ckuw.ca\/stylus\/wp-json\/wp\/v2\/posts\/3826\/revisions"}],"wp:attachment":[{"href":"https:\/\/ckuw.ca\/stylus\/wp-json\/wp\/v2\/media?parent=3826"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ckuw.ca\/stylus\/wp-json\/wp\/v2\/categories?post=3826"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ckuw.ca\/stylus\/wp-json\/wp\/v2\/tags?post=3826"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}