{"id":7876,"date":"2013-10-17T18:16:34","date_gmt":"2013-10-17T18:16:34","guid":{"rendered":"http:\/\/stylusmagazine.ca\/?p=7876"},"modified":"2013-10-17T18:16:34","modified_gmt":"2013-10-17T18:16:34","slug":"michael-feuerstack-always-intimate","status":"publish","type":"post","link":"https:\/\/ckuw.ca\/stylus\/2013\/10\/17\/michael-feuerstack-always-intimate\/","title":{"rendered":"Michael Feuerstack :: Always intimate"},"content":{"rendered":"<figure id=\"attachment_7877\" aria-describedby=\"caption-attachment-7877\" style=\"width: 500px\" class=\"wp-caption alignnone\"><a href=\"http:\/\/stylusmagazine.ca\/2013\/10\/17\/michael-feuerstack-always-intimate\/mf1-photo-credit-scott-da-ros\/\" rel=\"attachment wp-att-7877\"><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-7877\" alt=\"photo: Scott Da Ross\" src=\"http:\/\/www.stylusmagazine.ca\/wp-content\/uploads\/MF1-photo-credit-Scott-Da-Ros-500x333.jpg\" width=\"500\" height=\"333\" \/><\/a><figcaption id=\"caption-attachment-7877\" class=\"wp-caption-text\">photo: Scott Da Ross<\/figcaption><\/figure>\n<p><strong>by Myke Lewis<\/strong><\/p>\n<p>Michael Feuerstack writes soft, inviting music that evokes space and distance. His sound is like a warm autumn evening with the setting sun gently pushing through the leaves of trees and reflecting off lakes and rivers and the windows of trains passing in the distance. Calling from the Yukon to talk about his latest record, <i>Tambourine Death Bed<\/i>, seemed perfectly fitting.<!--more--><\/p>\n<p>While Feuerstack\u2019s name may not be household for some, his body of work as Snailhouse, stretching back to 1994, has earned him a reputation as a hard working musician who puts in the hours and the miles to do what he needs to do. <i>Toumbourine Death Bed<\/i> is his first record under his own name.<\/p>\n<p>&#8220;Snailhouse had run its course,&#8221; he says of the change. &#8220;Most bands don\u2019t have to live with a name that long. I wanted to start fresh. [Snailhouse] wasn\u2019t reflecting where I was at.&#8221;<\/p>\n<p>Feuerstack sees starting over as a personal challenge though he acknowledges that this new venture is &#8220;easier than starting from zero.&#8221;<\/p>\n<p>&#8220;Most people know it\u2019s new,&#8221; he continues. &#8220;It\u2019s niche and people who follow it already knew my name.&#8221; While he admits that the change wasn\u2019t &#8220;a premeditated idea,&#8221; he was looking to stand on his own.<\/p>\n<p>&#8220;When I toured with a band name, it was easy for people to assume that [Snailhouse] was a band and not my project.&#8221; He explains further saying, &#8220;I play in a lot of different bands, and I wanted use my name so people could recognize me and could then branch out to other things I do.&#8221;<\/p>\n<p>When describing his solo work versus his many collaborative experiences, Feuerstack wouldn\u2019t say one is more rewarding than the other, but are &#8220;two sides of looking at the same challenge.&#8221; He explains, &#8220;you\u2019re trying to make something out of nothing. When you collaborate you bring something out of you that you didn\u2019t know was inside. It differs from the introspective writing on your own in that it\u2019s more of a direct line. The two things feed each other.&#8221;<\/p>\n<p>Over and above working with other musicians, the seasons play a role in Feuerstack\u2019s creative process.<\/p>\n<p>&#8220;I aspire to be creative in the winter,&#8221; he reveals. &#8220;I consider myself half-introvert, half-extrovert, and the summer is time to go out and ride the bike and have coffee. [Summer]\u00a0 involves a lot of other people, and winter is my time to be with myself, to be more focused.&#8221;<\/p>\n<p>With more than eight records behind him, Feuerstack\u2019s drive isn\u2019t wavering in the slightest.<\/p>\n<p>&#8220;My goal is to make song-based music, pop or folk or whatever people want to call it, that is about real things, and actually has depth,&#8221; he explains. That depth comes &#8220;simply from living.&#8221; He continues, &#8220;if I was only touring, recording, and having no life, things would be different. I am obsessed with music. It\u2019s always going through my head. I don\u2019t know where it comes from.&#8221; His passion is apparent in his voice. &#8220;I\u2019m obsessed with sound,&#8221; he says. &#8220;I hear tones in anything. If a dump truck goes by I hear the rhythm. It\u2019s from personal experiences, whether it\u2019s getting beaten up, having a family, everything.&#8221;<\/p>\n<p>Taking <i>Tambourine Death Bed<\/i> on the road this autumn sees Feuerstack going solo, &#8220;just me and a guitar reinterpreting the songs from the record,&#8221; he explains. His reinterpretation is &#8220;more of an attitude and approach, probably pretty subtle to casual listener. It\u2019s about staying engaged with the music that I\u2019ve made, and not turning it into reciting&#8221;<\/p>\n<p>While on the road, Feuerstack is playing anywhere and everywhere, venues, record stores, and even a few house parties. Regardless of the different settings, he describes the live show as &#8220;always intimate. It has a casual and engaged sensibility, and house shows can be perfect for what I do. The music survives best with an attentive audience.&#8221;<\/p>\n<p><em>Michael Feuerstack will be playing <\/em>Tambourine Death Bed<em> at the Union Sound Hall on October 21<sup>st<\/sup>.<\/em><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>by Myke Lewis Michael Feuerstack writes soft, inviting music that evokes space and distance. His sound is like a warm autumn evening with the setting sun gently pushing through the leaves of trees and reflecting off lakes and rivers and the windows of trains passing in the distance. Calling from the Yukon to talk about [&hellip;]<\/p>\n","protected":false},"author":12,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5],"tags":[],"class_list":["post-7876","post","type-post","status-publish","format-standard","hentry","category-features"],"_links":{"self":[{"href":"https:\/\/ckuw.ca\/stylus\/wp-json\/wp\/v2\/posts\/7876","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ckuw.ca\/stylus\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ckuw.ca\/stylus\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ckuw.ca\/stylus\/wp-json\/wp\/v2\/users\/12"}],"replies":[{"embeddable":true,"href":"https:\/\/ckuw.ca\/stylus\/wp-json\/wp\/v2\/comments?post=7876"}],"version-history":[{"count":0,"href":"https:\/\/ckuw.ca\/stylus\/wp-json\/wp\/v2\/posts\/7876\/revisions"}],"wp:attachment":[{"href":"https:\/\/ckuw.ca\/stylus\/wp-json\/wp\/v2\/media?parent=7876"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ckuw.ca\/stylus\/wp-json\/wp\/v2\/categories?post=7876"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ckuw.ca\/stylus\/wp-json\/wp\/v2\/tags?post=7876"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}