{"id":8617,"date":"2014-03-13T17:15:21","date_gmt":"2014-03-13T17:15:21","guid":{"rendered":"http:\/\/stylusmagazine.ca\/?p=8617"},"modified":"2014-03-13T17:15:21","modified_gmt":"2014-03-13T17:15:21","slug":"del-barber-mapping-prairieography","status":"publish","type":"post","link":"https:\/\/ckuw.ca\/stylus\/2014\/03\/13\/del-barber-mapping-prairieography\/","title":{"rendered":"Del Barber :: Mapping Prairieography"},"content":{"rendered":"<p dir=\"ltr\"><a href=\"http:\/\/stylusmagazine.ca\/2014\/03\/13\/del-barber-mapping-prairieography\/del-barber-credit-mark-maryanovich\/\" rel=\"attachment wp-att-8618\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-large wp-image-8618\" alt=\"Del Barber credit Mark Maryanovich\" src=\"http:\/\/www.stylusmagazine.ca\/wp-content\/uploads\/Del-Barber-credit-Mark-Maryanovich-500x281.jpg\" width=\"500\" height=\"281\" \/><\/a><\/p>\n<p dir=\"ltr\"><strong>by Sheldon Birnie<\/strong><\/p>\n<p dir=\"ltr\">On a biting cold late December evening, Del Barber shuffles into the Yellow Dog Tavern. He\u2019s here, in the historic grain Exchange District of Winnipeg, to talk to <em>Stylus<\/em> about his new album, Prairieography, an album rooted in the spaces &#8212; physical, intellectual, emotional &#8212; between urban and rural living.<!--more--><\/p>\n<p dir=\"ltr\">\u201cI\u2019m trying to tell the stories of these people who are disconnected,\u201d explains Barber over pints of St James Pale Ale. \u201c[Prairieography] is, in part, about the lengths people will go to save their rural lifestyles, and trying to connect that with the urban artist fan or songwriting fan.\u201d<\/p>\n<p dir=\"ltr\">\u201cThere\u2019d be no town without the country,\u201d Del Barber sings on \u201cArianna,\u201d a love song that also maps the interconnectedness of the hinter and heartlands of the Canadian west in just under four lovely minutes. It\u2019s fitting that we\u2019re meeting here in the Exchange, a place quite literally \u201cbuilt on the backs of farmers,\u201d as Del observes at one point in course of our interview.<\/p>\n<p dir=\"ltr\">With a distinctly country-fried flavour, Barber\u2019s latest presents listeners with 14 tight prairie stories that explore similar territory. From the cattle-rancher turned oil sands worker in \u201cLiving with a Long Way to Go\u201d to the small town romance of \u201cPeter and Jenny Lee,\u201d the narratives Barber explores are plucked both from his life as a touring musician and that as a prairie boy, born and raised. Exploring each character\u2019s motivations, their situations, ambitions and desires, Barber is able to craft empathetic portraits of prairie people, be they drug-runners, hard living old timers, or displaced country boys chasing dreams in the big smoke. It\u2019s this attention to detail in his songwriting that is winning this son of St Norbert fans across Canada, the US, and beyond.<\/p>\n<p dir=\"ltr\">\u201cThe basic premise of the album is that you can\u2019t escape where you\u2019re from,\u201d he explains. \u201cYou\u2019re more determined by it than you think.\u201d<\/p>\n<p dir=\"ltr\">This theme is one that Barber has explored before, and one that is common across Canadian literature, from Margaret Atwood to John K Samson, Al Purdy to Ian Tyson. Tyson in particular makes his mark, by way of inspiration, on <em>Prairieography<\/em>. The title itself is a play on Tyson\u2019s classic western LP <em>Cowboyography<\/em>, in which the folk legend explored the past, present, and future of cowboying in southern Alberta and Montana.<\/p>\n<p dir=\"ltr\">\u201cI listened to [<em>Cowboyography<\/em>] when I was a lot younger, with my folks,\u201d recalls Barber. \u201cBut about two years ago, I was in southern Alberta, fishing for a couple weeks, and I downloaded it on a whim, thinking I should be listening to Ian Tyson while I was out there. I just felt such a connection to that place and his music. And I realized that that was what I wanted to do with the prairies.\u201d<\/p>\n<p dir=\"ltr\">Tyson\u2019s music has become synonymous with Alberta, from <a href=\"https:\/\/www.youtube.com\/watch?v=B3m7ckGhnsc\" target=\"_blank\">\u201cFour Strong Winds\u201d<\/a> to <em>Cowboyography<\/em> and beyond. Another Alberta based artist that Barber found influential on the way he approached songwriting is <a href=\"http:\/\/stylusmagazine.ca\/2012\/11\/28\/corb-lund-brings-cabin-fever-to-winnipeg\/\" target=\"_blank\">Corb Lund<\/a>, who Barber toured with in 2013.<\/p>\n<p dir=\"ltr\">\u201cI\u2019ve been really impressed by Corb,\u201d Barber admits, \u201cmore than I thought I would be. The more I\u2019ve studied [his writing], the more important it seems he\u2019s talking about really Canadian stuff, with some really good social commentary in there too.\u201d<\/p>\n<p dir=\"ltr\">The folk approach to crafting narrative songs, with the backing of a tight country band, that both Tyson and Lund have used so successfully was one that Barber focused on making his own with <em>Prairieography<\/em>. Recorded both in Winnipeg and in St Norbert and using a band of \u201cManitoba guys\u201d who have played with Barber in the past few years, the new album is a polished album that manages to feel rough around the edges in all the right places.<\/p>\n<p dir=\"ltr\">\u201cIt\u2019s not loose, but it\u2019s looser than, more natural than the last record,\u201d says Barber. The result is a record that Barber is excited about, one he feels \u201csounds more like who I am\u201d than previous efforts. \u201cI feel more sure of myself, more sure of what I want to say and how to say it. \u201c<\/p>\n<p dir=\"ltr\">Still, putting together an album firmly rooted in the prairies was a challenge for Barber, who spends eight months of the year on the road.<\/p>\n<p dir=\"ltr\">\u201cI don\u2019t really know where I\u2019m going, a lot of the time,\u201d Barber admits. \u201cI guess it\u2019s a question, introspectively, how does a person know where their creativity comes from?\u201d<\/p>\n<p dir=\"ltr\">After a pause, a sip of beer, while hockey highlights play out on the TV behind the bar, Barber continues.<\/p>\n<p dir=\"ltr\">\u201cI think the answer, for me, is it\u2019s in the practices, the things I want to do, that i love to do: fishing, farming, hunting, horses, hockey.\u201d<\/p>\n<p dir=\"ltr\">There\u2019s plenty of all those things on <em>Prairieography.<\/em> \u201cBig Smoke\u201d brings up images of a boyhood spent on the backs of horses juxtaposed with the story of a man lost in the big city. \u201cTell Me Where To Start\u201d is a beautiful tune about friendship that uses hockey metaphors and imagery &#8212; much like Kathleen Edwards\u2019 \u201cHockey Skates\u201d or Propagandhi\u2019s \u201cDear Coach\u2019s Corner\u201d &#8212; to get at deeper truths about the human experience.<\/p>\n<p dir=\"ltr\">It is in Barber\u2019s ability to strike at the core of those shared human experiences that makes Prairieography such a compelling record, one that both Barber and True North Records hopes will appeal to audiences south of the border, and overseas. With a wide release in Canada and the US planned for mid-February, followed by months of relentless touring beginning in January, Barber has a long road ahead of him, as he shares his<em> Prairieography<\/em> map with fellow travellers far and wide.<\/p>\n<p dir=\"ltr\"><em>Del Barber releases<\/em> Prairieography <em>in Winnipeg with two shows, March 20 &amp; 21, at the Park Theatre. Get your tickets from the Park, or from the Winnipeg Folk Fest store before they\u2019re all gone and your tears freeze to your cheeks as the snow falls.<\/em><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>by Sheldon Birnie On a biting cold late December evening, Del Barber shuffles into the Yellow Dog Tavern. He\u2019s here, in the historic grain Exchange District of Winnipeg, to talk to Stylus about his new album, Prairieography, an album rooted in the spaces &#8212; physical, intellectual, emotional &#8212; between urban and rural living.<\/p>\n","protected":false},"author":12,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5],"tags":[563],"class_list":["post-8617","post","type-post","status-publish","format-standard","hentry","category-features","tag-local"],"_links":{"self":[{"href":"https:\/\/ckuw.ca\/stylus\/wp-json\/wp\/v2\/posts\/8617","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ckuw.ca\/stylus\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ckuw.ca\/stylus\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ckuw.ca\/stylus\/wp-json\/wp\/v2\/users\/12"}],"replies":[{"embeddable":true,"href":"https:\/\/ckuw.ca\/stylus\/wp-json\/wp\/v2\/comments?post=8617"}],"version-history":[{"count":0,"href":"https:\/\/ckuw.ca\/stylus\/wp-json\/wp\/v2\/posts\/8617\/revisions"}],"wp:attachment":[{"href":"https:\/\/ckuw.ca\/stylus\/wp-json\/wp\/v2\/media?parent=8617"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ckuw.ca\/stylus\/wp-json\/wp\/v2\/categories?post=8617"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ckuw.ca\/stylus\/wp-json\/wp\/v2\/tags?post=8617"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}