The members of Hut Hut frolicking next to an intermodal container. Photo: Sara Smith.
Longtime readers of this publication could be forgiven for wondering if we’d heard the last of Mat Klachefsky.
For the past six years, the erstwhile Boats and Hut Hut frontman has shied away from the spotlight, choosing instead to focus on his job and raising his young children. Recently, he even concluded a term as president of Dodgeball Canada. But when faced with what he called a “reduction in [his] responsibilities” at work, he found himself with more time on his hands.
Stylus (S): Your tour with Cadence Weapon kicks off here in Winnipeg at the new Sidestage venue. How are you feeling about it?
Brendan Grey (BG): I’m feeling great. I’m excited; I think we’re all very excited. It’s going to be great to get back to all these cities which we haven’t been to in quite some time. It’s going to be interesting to be supporting Cadence Weapon. So, yeah, we’re feeling good. The blades are sharp. We’ve had a good year up until now. I think we’re just really excited to play a show in Winnipeg and then play a show in these cities to which we’ve been, but haven’t been in a second, right? Hopefully reconnect with people that we know and/or know us and then connect with some folks who maybe haven’t had the chance to see us play yet.
Stylus (S): The deluxe version of your album Rollercoaster came out last month, and it’s about the internet, the ups and downs of it. What’s your relationship with the internet / social media right now?
Cadence Weapon (CW): Well, I have a complicated relationship with the internet right now. I feel like as an artist, you feel an obligation to use the technology because it’s the best way to reach people. But then every time you try to reach your audience, you’re getting throttled, you’re getting your reach blocked, and that frustration really inspired me to make this record. I consider it to be a bit of a love letter to the early internet. When I first started out, I first got my record deal from the internet, from just sending my tracks to random people and then posting on a blog and then record labels hitting me up. I feel like that kind of direct audience connection is much more difficult to have today. It’s like when you go on Instagram, you gotta jump through all these hoops. It’s that kind of thing. So, I feel like the album is really about the social media age we’re in right now and how we navigate it as artists and individuals.
