by Jackie Weseen
Alternative-rock band Jamboree’s sophomore album Life in the Dome is a delicate balance between hope, despair, melody, and broken chaos. Released on April 1 by House of Wonders Records, the album in its entirety is a melancholic delight.
Continue reading “Album Review :: Jamboree :: Life in the Dome”
by Myles Tiessen
Hopscotch and skipping his way through slick rhymes and eccentric flows, 22-year-old Caid Jones is an unrelenting force on “For The Game.”
Continue reading “Music Video Review :: Caid Jones :: For The Game”
by Ryan Sorensen
Blues Druid is the debut LP from Satanic Rights, a lo-fi, garage/punk rock band from Winnipeg. Released by the indie Transistor 66 Records, the album follows up on the heels of their 2015 self-titled EP release. After three years, I am happy to say this collection of songs was a devilishly good time, and well worth the wait. Continue reading “Album Review :: Satanic Rights :: Blues Druid”
by Jesse Popeski
Carly Dow’s 2015 debut Ingrained introduced a bold and ambitious folk artist to the Canadian music scene. Her sophomore album Comet (October 19th, 2018) reveals a self-assured artist abandoning the need to prove herself and allowing an unpolished rawness to come through. Continue reading “Album Review :: Carly Dow :: Comet”
by Nina Zigic
In this experimental-pop, storytelling album, local artist Steve Basham shows us what goes on in his mind with a mix of electric guitar, electronic music aspects, and his own voice. He goes into detail about his dreams and there’s never a dull moment listening to this album. Continue reading “Album Review :: Steve Basham :: The Nightbug”
by Neda Masoomifar
Local Winnipeg producer F.C Coconut released his newest album, Coconut Island in early May. This album is around 38 minutes long, and despite each track having its own variety and differences, they all flow perfectly to create a relaxing and stimulating album. Continue reading “Album Review:: F.C COCONUT :: Coconut Island”
by Kaelen Bell
There are rare moments when it seems that every hippie you’ve ever met was right; that time really is a construct, man.
That it’s all in your head – that the past and the present and the future and every minuscule, incomprehensible halfway moment exist at once. That you can touch the air beside your face and brush against uncountable realities. Continue reading “Album Review :: Saltwater Hank :: Stories From the Northwest”
by Kaelen Bell
One of the most affecting scenes in last year’s critical darling Call Me by Your Name is of a heartsick lover, waiting and awash in blue. The scene follows in the footsteps of Joni Mitchell’s Blue and Maggie Nelson’s Bluets – art that recognizes the cathartics and heartsick mysteries of blue. Add Lev Snowe’s Faded Blue to the list. Continue reading “EP Review :: Lev Snowe :: Faded Blue”
by Scott Price
Veteran Hamilton based rapper Lee Reed has released one of the most relevant EP’s of the decade, The Steal City EP. Lee sets his sites on the gentrification of Hamilton which has recently been subsumed into the Toronto housing bubble. Continue reading “Album Review :: Lee Reed :: The Steal City EP”
by Ryan Haughey
Deafening blows to snare, tom, and cymbal alike accompany low tuned guitars drenched in feedback on this album. Vancouver group Woolworm follow many hard-core tropes while simultaneously sending out shoegaze vibes. Deserve To Die is a masterful display of songwriting talent and energy-invoking recorded performance. Continue reading “Album Review:: Woolworm :: Deserve To Die”
