FONTINE (in conversation with Kate Higginson)
by Kate Higginson I first saw FONTINE at Boy Golden’s Best of Our Possible Lives listening party on February 11,...
CKUWho? Band for Band (Fridays, 3 – 4 pm)
by Maggie A. Clark I’m not on social media anymore (except when I have a new issue of the magazine...
Cloud Circuit
by Maggie A. Clark Cloud Circuit are a duo from Montréal whose work could be described using some combination of...
How Strength Creates Tolerance
How Strength Creates Tolerance Lifte Andrew Ritchot — who has been recording under the moniker Lifte over the past number...
SPACE)DOXA: AN INTERVIEW WITH GREG HANEC
by Jonah Strassel Stylus: What is space)doxa and what are you aiming to achieve at each month’s event? Greg Hanec...
People, Music, and Self-Congratulation
On feeling ambivalent at the Winnipeg Folk Festival by Maggie A. Clark Stencil lettering affixed to the box office tent...
Mango Fest 2025
A Retrospective by Jonah Strassel The fruit was ripe this year at Mango Fest, Winnipeg’s best DIY underground music festival...
Visual Audio
by Brad Davis Song Sung Blue (2025), directed by Craig Brewer, starring Kate Hudson and Hugh Jackman. As the final...
Artist Spotlight: Virgo Rising
by Matthew Harrison On the last warm day of September, I sat down with the four members of Virgo Rising...
Manitoba Metalfest 2026
reviewed by Sam Doucet Before we go any further in this piece, here’s a fun little guessing game for you....
