Jazz for Humanity
By Kaeleigh Ayre Being a co-executive director of an organization is not something every 20-year-old can put on their resume,...
Evil Survives – False Metal Slayers
By Kent Davies Local metal marauders Evil Survives perform old school New Wave of British Heavy Metal (NWOBHM) at its...
The Besnard Lakes – Fine Vintage
By Kevan Hannah Between releasing their third album, The Besnard Lakes are the Roaring Night, embarking on a worldwide tour,...
Review: Dum Dum Girls – I Will Be
The great thing about I Will Be is that there isn’t anything wrong with it. Basically, it’s full of Shangri-Las-style...
Review: Dr. Dog – Shame, Shame
Dr. Dog’s sixth album in many ways feels like an album of firsts. In addition to it being their first...
Label Profile: War on Music
By Kent Davies War on Music isn’t just a label or a store. War on Music is a political movement....
Review: Mose Allison – The Way of the World
With the return of musical legend Mose Allison to recording after a dozen year absence the world can almost be...
Pip Skid – Fake Blood, Real Beats
By Sarah Petz With a sound that is raw, honest and provocative, you wouldn’t expect that Pip Skid (a.k.a. Patrick...
Review: Archie Bronson Outfit – Coconut
Instead of boring you with the standard-issue disc review usually presented here, and since this new, long-awaited Archie Bronson Outfit...
Review: Bassekou Kouyate & Ngoni Ba – I Speak Fula
With I Speak Fula, the Malian Ngoni lute player Bassekou Kouyate has put together a confident and precise collection of...