(June 6, 2024)
by maggie astrid clark
If—as Phil Elverum sang during his performance of an unreleased Mount Eerie song at the West End Cultural Centre (WECC) on June 26—recorded music is a “statue of a waterfall,” then concert reviews are poems about a blurry photograph of said statue. Words cannot capture the experience of a sound, let alone reconstruct a memory that is already fading from the mind.
Continue reading “Concert Review :: Cluster Festival :: Pulse (with Debashis Sinha, Jason Tait, and Compost)”