Tag: winnipeg

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Album Review:: Attica Riots:: Life’s a Sugar Pill

Album cover a ceral bowl full of pills

by Jamie Glenwright

After six years of radio silence (aside from live performances), Attica Riots finally released their second EP.  Life’s a Sugar Pill dropped on December 9th of last year,  and it doesn’t disappoint at all.  It has the same upbeat, melancholy-ish vibe they are known for. Their new EP has five songs that are all lovely in their own ways, and I’m thrilled to have the pleasure of reviewing them all as my first article for Stylus.

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EP Review :: Hazel Fog :: Hazel Fog

backlite photo of a child at the edge of water. The sun gleaming off the water, a sideways shadow of another human on the left side.

by maggie astrid clark

Aside from my partner and a handful of friends with impeccable taste, one of my go-to sources for locating new music is Cam Scott’s UMFM program “Radio State.” In March, this was how I first encountered the ambient drone stylings of Hazel Fog. After some digging—which is what I like to call “doing a cursory Google search”—I found that they’d released a self-titled two-song EP on Bandcamp on February 6, 2024, uploaded to the page of local label Makade Star. I’m always on the lookout for things obscure, mysterious, dissonant, and unsettling, so I was hooked immediately.

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Album Review :: Guilty Sleep :: Seeds

blury photos of feet on grass with drawn branch looks like an old b&w photo turned bluish in a scrap book.

by Mykhailo Vil’yamson

When does an explosive become a drug? Scientifically, this happened with nitroglycerin – that highly volatile chemical compound that is used to both produce dynamite and treat heart conditions. But I would also contend that a similar power and instability is found in emogaze, and I’m addicted. The latest release in this subgenre is the three-song EP Seeds by Winnipeg locals Guilty Sleep (a.k.a. Eric, Haise, Nic, Liam, Los), which is their follow-up to last year’s Passenger. And it’s equally heartbreaking and vicariously curative.

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EP Review :: Prairie :: Prairie (demos)

Band members sit in a field of praire grass staring either into the distance or with eyes closed in either early spring or late fall with a smattering of snow on the ground.

By Mykhailo Vil’yamson

It’s not often that one is privileged to hear demo recordings as a band’s first release, as so much of the “music industry” remains built on making public only the most curated versions of an artist’s material. But there’s something alluring about being able to hear the earliest incarnation of a group – before the stratification, calcifying and polishing of fully-produced albums. It’s reminiscent of bygone days when musician friends would share cassettes with each other of the latest songs they wrote, asking: “What do you think of this?” As for  this collection, I’d say: “Sounds bloody brilliant! Can’t wait to hear what’s next.”

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Album Review :: Cookie Delicious :: Fox in Golden Armour

Golden fox art with purple paint splatter glow

by Mykhailo Vil’yamson

Anyone who is familiar with the Winnipeg music scene has surely happened upon Joel Klaverkamp’s music over the years. But one could be forgiven for perhaps not knowing his name since his projects since 1989 have been multitudinous. From the teenage hair metal band Breakneck Inferno to the indie-forward cyberpunk project Robojom, to the latest broody dance-rock outfit Cookie Delicious, Klaverkamp is perpetually involved in the process of reinvention. Is he now the armour-clad Reynard first seen on the cover of his 2022 single Forget It? And how long before the next iconoclasm? That remains to be seen. In the meantime, Fox in Golden Armour provides listeners with nearly 36 minutes of what has been self-described as “hypnotic creamsicle,” which aptly describes the swirl of tasty beats, sweet hooks, and biting lyrics.

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Single Review :: Bush Lotus :: “Open”

by Noah Cain

As was the case with their first performance this March, opening for Tinge at the Handsome Daughter, there is a confidence to Bush Lotus’s writing and sound that feels at odds with their experience. 

Lyrically, “Open” is spare, but far from simple. When written out, it functions almost seamlessly as a series of linked Haiku. True to that form, songwriter Arielle Beaupre injects meaning and poignancy into a sliver of time. In this case, a moment of intense presence while stretching in a parking lot, presumably after hours in a car moving along tree-lined highways:

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