Album Review :: Jeff Parker ETA IVtet ::THE WAY OUT OF EASY
(or, “The Dialectics of Improvisational Jazz”) by Maggie A. Clark I listen to a lot of jazz at this time...
Album Review :: LEON’S GETTING LARGER :: YOU BE GOOD NOW
by Bradi Breckman “These aching bones, these two years at home, all these things I own, I think they’re plotting...
Album Review :: Orelands :: Secrets and Select Missions
by Mykhailo Vil’yamson Even though one might see the We, Here and Now! record label and mistakenly assume that Orelands...
Concert Review: Holy Void
Photos by Keeley Braunstein-Black by Sabbir Hossain I had been unaware of the local scene despite being a self-proclaimed “music...
EP Review :: WITCH HAZEL :: CASA ROSSO
by Maggie A. Clark Clicking around on Bandcamp again, I stumbled upon a local indie-rock outfit known as Witch Hazel....
Concert Review :: Sam Singer and the Beautiful Movers Orchestra
West End Cultural Centre (November 22, 2024) Photos by Jakob Spence written by Jonah Strassel Mere moments before accepting the...
Album Review:: Attica Riots:: Life’s a Sugar Pill
by Jamie Glenwright After six years of radio silence (aside from live performances), Attica Riots finally released their second EP....
Artist Spotlight :: Interview with Brendan Grey of Super Duty Tough Work
by Kim Wiesner Stylus (S): Your tour with Cadence Weapon kicks off here in Winnipeg at the new Sidestage venue....
Artist Spotlight :: Interview with Cadence Weapon
by Kim Wiesner Interview on November 6, 2024 Stylus (S): The deluxe version of your album Rollercoaster came out last...
Album Review :: Dinner Club :: Brave Faces
by Mykhailo Vil’yamson The unknown is intimidating because, by definition, it’s unfamiliar. This can express itself as fear — either...