Obits – Moody, Standard, and Poor


The second Obits CD has absolutely killer packaging done up in the colours of bottled acrylic paint, with the sleekness of thick, pristine graphic novels. I don’t think anything could more predictive of how the music sounds. Guitars and drums lash out a web of dense and muscular garage rock that takes you cleanly and boldly out of your head. The members aren’t new to the music scene: there’s Rick Froberg of Hot Snakes and Pitchfork, guitarist Sohrab Habibion of Edsel, bassist Greg Simpson, and drummer Scott Gursky of Shortstack. All songs are timed to get just the right amount of suspense and perfect finish, as on “Standards,” which slows down like a marathon runner majestically breaking through the ribbon.  Obits know they’re good, and they’re not afraid to proclaim it in the thickest musical equivalent of black Sharpie they can find. “Naked to the World” is purely joyful yawling. Froberg’s vocals “I Want Results” has a great, rolling, rumbling bassline, and hell, I don’t even know what kind of results I want after listening to this, but I sure know I want them. “Shift Operator” is slow and sparse compared to the other tracks (but by no means would you call this ‘slow’ out of context), which doesn’t work too well with the record as a whole. “New August” has a turgid undercurrent of wickedness, a touch of devious guitar riffing darkness. This is an exciting listen that’ll get you pumped up and ready for a comic-book-worthy adventure. (Sub Pop, www.subpop.com) Adrienne Yeung