Sleeping is, without a doubt, the secondary purpose of Courtney Carmichael’s Beausejour bedroom. For the past several years, it has functioned primarily as the practice space and recording studio of sundayclub, an alternative-dream pop duo comprised of Carmichael and Nikki St.Pierre.
“Rap is something you do, hip-hop is something you live.” – KRS-One
2017 was the year hip-hop took over the music industry. With huge hits by Cardi B and Kendrick Lamar among others, it seems only natural for Vulture Magazine to call 2017 “the year hip-hop won the music business.” Through streaming platforms like Soundcloud, Spotify and YouTube, hip-hop now reaches it’s biggest audience ever. The music has come a long way from DJ Kool Herc throwing jams in Cedar Park in the Bronx, but hip-hop still struggles to find acceptance in the mainstream pop radio world.Continue reading “Winnipeg State of Mind”
It’s early in the morning, too early. You drag yourself out of the house into the smoke filled city streets of Winnipeg. Summer is burning it’s way out across the country. Nothing but the quiet lull of traffic is to be heard as there hasn’t been enough time for humanity to consume their coffee intake just yet. Whether going to school or going to work, you have somewhere to be. As the days go on these mornings get darker, and colder. The smoke clears and invites a mist of frozen water to crystallize on your scarf as you continue to go, still needing to be somewhere.Continue reading “Prairie Punk Perspective”
The sun slow roasts Winnipeg patio-goers, and a damp heavy air blankets the city. I am sitting with a beer in one hand and a pen in the other, scratching notes onto my legal pad. Across from me, my companion Dave Quanbury explains the logic behind his song selections for his 90-minute radio program on CKUW, Exile Files. His tendency is to focus on jazz and blues, and particularly songs with an emphasis on brass instrumentation and big vocals. Continue reading “CKUWHO: Exile Files”
I started writing this piece on October 23, when things seemed so much simpler. Back then, I thought CBC radio host Jian Ghomeshi was just a garden-variety creep, not a serial abuser. As Melissa Martin so brilliantly elucidated in her Nothing in Winnipeg post on the subject, those of us in music/CBC circles Knew About Jian, even if we didn’t know about the alleged punching, choking and rape.
Here at Stylus Magazine, we’re proud to be celebrating 25 years of music coverage in Winnipeg. Over this quarter century, Stylus has seen editors, artists, and volunteer writers come and go, as well as changes in direction, tone and aesthetic. What were once wicked band photos gracing the cover page now are local, oftentimes abstract or subtly morbid original artwork, a change that came around in the mid 90s. Continue reading “CKUWho :: Stylus celebrates 25 years of independent music coverage”
In 2008, Ava DuVernay’s documentary film This Is the Life chronicled the rise of LA’s alternative hip hop community from the vantage point of the Good Life Health Food Centre’s weekly open-mic night. Founded in 1989, the event attracted emcees, poets and heads alike. It was a place to freestyle (cuss-free), practise the art of rap and celebrate hip hop culture with the serious disposition of an aspiring artist. Jurassic 5, Del tha Funkee Homosapien, Skee-Lo and the Pharcyde were all schooled at Good Life. Continue reading “Nonstophiphop :: Open Mike Eagle and the LA sound”
July 2014 sees the release of Morrissey’s latest and perhaps most Morrissian-titled album to date: World Peace is None of Your Business. Morrissey the Performer has always demanded a closer critical review, as his actions and words – both in his music and outside of the music itself – are a closely scripted characterization of Morrissey the Character. More than ever, with this latest release, there is an evident slipping of the curtain to reveal Morrissey himself rather than Morrissey the Character. This later period Morrissey seems to be, intentionally or not, dropping many of the idiosyncrasies that define the Morrissey character. Continue reading “Fear of Music :: This Stephen Patrick is No Morrissey”
For years now, the relationship between Taylor Swift and country music fans has been strained at best. Swift has been on an unstoppable rocket to peak fame and stardom, traveling at light-speed, since the beginning of her career, and until recently, she had at least managed to satiate her country fans, albeit less and less with each album. Red, arguably her best record to date, was almost devoid of anything resembling country, instead trading in the twang for new tricks like dubstep-lite (“I Knew You Were Trouble”) or straight-up bubblegum pop (“22”). But still, until Monday’s release of “Shake It Off,” the kickoff single from Swift’s upcoming “very first documented, official pop album” 1989, many still believed there was a chance for their saviour to come back home, or at least keep things country enough that she could pass for a slot at the CMAs. Continue reading “Why Taylor Swift was right to break up with country music”