Stylus contributors on their favourite songs, albums, and shows of 2024
Continue reading “Best of 2024”Maggie A. Clark’s Favourite Albums of 2024
The year draws to a close. The usual signifiers of the season put in their scheduled appearances: the sidewalks and rooftops lined with snow, trees and eavestroughs strung with lights, doors bedecked with wreaths. There is a palpable cheer in the air. All of this can only mean one thing.
It’s time for some half-baked listicle slop, baby! Seemingly every media outlet spends their December churning out their curated selections of the year’s best songs, albums, movies, books, games, etc. — so why shouldn’t I compel Stylus to get in on the fun? Who am I to resist the omnipresent allure of list-making?
Continue reading “Maggie A. Clark’s Favourite Albums of 2024”Single Review :: Bush Lotus :: “Open”
by Noah Cain
As was the case with their first performance this March, opening for Tinge at the Handsome Daughter, there is a confidence to Bush Lotus’s writing and sound that feels at odds with their experience.
Lyrically, “Open” is spare, but far from simple. When written out, it functions almost seamlessly as a series of linked Haiku. True to that form, songwriter Arielle Beaupre injects meaning and poignancy into a sliver of time. In this case, a moment of intense presence while stretching in a parking lot, presumably after hours in a car moving along tree-lined highways:
Continue reading “Single Review :: Bush Lotus :: “Open””Stylus Pops into Send + Receive 2017
James Rushford from Australia and Nihilist Spasm Band from London, Ontario were a couple among many performers at this year’s Send + Receive.
