Winnipeg music & culture since 1989
by Stiff Wiggle
Any Christmas cheer I conjured this year had long since dissipated by Boxing Day. However, as I found myself standing shoulder to shoulder with a sold-out crowd at the Good Will, eager to enjoy an eggnoggy evening of rootsy rock with Neighbour Andy, there was no room for holiday humbugging.
Continue reading “Concert Review: Neighbour Andy / Big Loser / DJ Hayden Mekai at the Good Will, Dec 26”
by Nischal Karki
What is better than immersing yourself in raw, indie, and emotive vocals? Yes, the Prairie Joggers bring a fresh vibe to the music scene. Their new EP, Going Nowhere, released on June 9, 2023, is different from what I usually hear. Each of the songs on this album feels like a journey through moods and emotions.
Continue reading “EP Review :: Prairie Joggers :: Going Nowhere”
by Paige Drobot
Stylus Magazine interviewed Kyle Halldorson, the artist and producer behind Winnipeg’s Dr. Rift, about the instruments and inspiration he uses to create music.
Continue reading “THE DORK REPORT :: dr.rift”
by Mykhailo Vil’yamson
If it were possible to audio-capture the coldest brooding glare, the album Hindsight is 50/50 is what it would sound like. Thick with weighty bass notes, menacingly minor overtones, and steeped in echoey resonance, this is the third full-length project by Albertan musician Evan Uschenko in less than two years. However, the latest manifestation of Ghost Woman is no longer a solo undertaking, as Belgian drummer Ille van Dessel has joined him. As shared at the end of last year via Dine Alone Records, Uschenko conveyed that this project “finally captures the true nature of the band” – and its tracks. Whereas the past few releases sound like a foray into 1970s reminiscence, Hindsight is 50/50 forges ahead into new sonic territory.
Continue reading “Album Review :: Ghost Woman :: Hindsight is 50/50”
written by Stiff Wiggle
photo by Cary Bilcowski
I attended GentleFest 2023 as a performing musician and received a complimentary ticket. I would be remiss not to mention this bias. Despite that, this review presents a sincere reflection of my experience.
Continue reading “Review: GentleFest”
by Myles Tiessen
“Even if it’s the Lord’s Day, who gives a fuck?” screamed The Beaches lead vocalist Jordan Miller to a sold-out crowd at the Burton Cummings Theatre.
A unanimous response from the Gen Z crowd roared back at her; they certainly did not.
Continue reading “Concert Review :: Beaches”An evening of trans + queer sound art and poetry (October 1 @ aceartinc.)
by maggie astrid clark
photos by derek brueckner
As evidenced by September’s so-called “1 Million March 4 Children” and by recent legislation in Saskatchewan and New Brunswick, we are living through a time of escalating fascist rhetoric against trans people and related political efforts to strip the most vulnerable of us of access to safe medical and social transitions. Amidst a backdrop of great uncertainty for the future of our communities, it was truly refreshing to attend an evening of Two Spirit, trans, and queer sound art and poetry at aceartinc. (206 Princess St.) on October 1.
Continue reading “Concert Review :: Another Place”
by Mykhailo Vil’yamson
The first full-length album by Paige Drobot is a veritable time machine, but not only because of its largely 70s-inspired aesthetic. She definitely took her time on this one, as all of the songs on the project first came into existence many years ago with her band, The Psychics. In fact, all of the songs on The Psychics–except for “Each Another’s Creation”–can be found on the 2016 release Live at the Graffiti Gallery, which was captured on the fourth anniversary of the original band’s formation, bringing us all the way back to 2012.
Continue reading “Album Review :: Paige Drobot :: The Psychics Album”*from last year as we gear up for Fundrive 2024!*
Words by Rish Hanco
Photos by Kat Kolesar
Friends and supporters of local “campus and community” radio station CKUW (95.9 FM) came out to the Good Will Social Club on Thursday, March 30 to wrap up the annual pledge drive in support of keeping CKUW listener-driven and free of paid advertising. It was an intimate gathering and a great opportunity not only to support the continued work of CKUW and its in-house music magazine, Stylus Magazine, but for the staff and volunteers to celebrate that work.
Continue reading “CKUW Puts the “Fun” in Fundraiser”
By Niqui Lampa
VVonder is a rock band born out of a noteworthy musical tie in Canada. A veritable mixture of the best local talent the heart of Winnipeg has to offer, this band consistently guarantees and lives up to soulful and highly entertaining rock music that resembles the early ’70s and late ’60s. VVoner takes the listeners on an existential journey throughout their new album Now And Again.
Continue reading “Album Review :: Now and Again :: VVonder”