By Daniel Colussi
Jennifer Castle is a jewel in the crown of contemporary Canadian songwriters and performers. Over the course of four albums Castle has developed a singular and fascinating voice, one that draws on elements of traditional folk and blues as well as the classic sun-dappled melancholy of the 1970’s California singer-songwriter greats. Castle’s music is sturdy and reliable, like a well-loved pair of Spanish leather boots – timeless and not beholden to trends or fads or retro-grade worship of bygone eras or haircuts. In particular, her last album Pink City represents a remarkable leap forward in her progression not only as a songwriter but also as a recording artist. It’s a gorgeous, probing and melancholic album. Since the release of said album, Castle has toured extensively throughout North America and Europe, both solo and backed up by an ensemble of musician friends. This weekend she will make her first ever appearance in Winnipeg as part of the Folk Festival. I spoke with Castle about her recent touring, her upcoming collaborations, and how mortality really is the great mic-drop of life.
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