CKUWHO: Exile Files

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By Omri Golden – Plotnik

The sun slow roasts Winnipeg patio-goers, and a damp heavy air blankets the city. I am sitting with a beer in one hand and a pen in the other, scratching notes onto my legal pad. Across from me, my companion Dave Quanbury explains the logic behind his song selections for his 90-minute radio program on CKUW, Exile Files. His tendency is to focus on jazz and blues, and particularly songs with an emphasis on brass instrumentation and big vocals.
Continue reading “CKUWHO: Exile Files”

Lady Lamb :: Clear your head

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By Kaitlyn Emslie Farrell

If you enjoy your indie music where the vague genre labels stem from breaking the rules and mixing up the typical formulas, then Lady Lamb is probably on your playlist, or at least she should be. Aly Spaltro aka Lady Lamb has been making music since her days working at her hometown’s popular video rental store in southern Maine, USA. Stylus caught up with Aly on the phone to talk about life and music. Continue reading “Lady Lamb :: Clear your head”

ONLINE EXCLUSIVE :: In Conversation with José González

Photo by Malin Johansson
Photo by Malin Johansson

By Harrison Samphir

Since the release of his debut album, Veneer, 12 years ago, José González has remained an enduring indie-folk figure, crafting mellow yet affecting compositions on his classical guitar. Born in Gothenburg, Sweden, the 37 year-old has since released three full length solo records – his latest, Vestiges and Claws, dropped in February – several extended plays, and various other works with the Scandinavian band Junip, and London’s trip hop ensemble Zero 7.

Some might recall González for his ultra-popular covers of famous songs like The Knife’s “Heartbeats,” Joy Division’s “Love Will Tear Us Apart,” or his more recent rendition of TLC’s “Waterfalls,” performed live on Sweden’s most popular television quiz show På spåret. Whatever the case, his vast array of successful work continues to garner critical acclaim and open the door to new creative opportunities. He wrote three original songs for the soundtrack of the film The Secret Life of Walter Mitty, lent a track to a massively popular 2010 video game, and participated in experimental collaborations with orchestras from Europe to North America.

Stylus Magazine spoke to González from his home in Gothenburg about his new record, creative inspirations, and the underlying meaning of his most personal songwriting.  Continue reading “ONLINE EXCLUSIVE :: In Conversation with José González”

Sufjan Stevens :: Us and those we lose

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By Tim Richardson

Sufjan Stevens is known for high-concept projects. He’s crafted musical anthologies of Illinois and Michigan, made a song for each of the animals of the Chinese Zodiac, and churned out seemingly endless volumes of Christmas music. With his newest album, Carrie & Lowell, we find him at his least thematically ambitious and most biographically and emotionally exposed. As has been extensively publicized and discussed, Carrie & Lowell is very explicitly about one thing: Sufjan’s response to the 2012 death of his mother Carrie to stomach cancer. Each song copes with the reverberations of this event: witnessing it, burying it, or accepting it, sometimes all at the same time. Continue reading “Sufjan Stevens :: Us and those we lose”

Live Bait :: Deerhoof w/ Jan at Union Sound Hall – Wednesday June 17, 2015

Topher Duguay

“So, this band Jan, they’re…”
“They’re certainly Jan, yeah.”
“They play Janwave. It’s when you sound like a mix of every fashionable 2003-2009 indie band, but your name is also Jan.”
“It’s a bold new genre. I like it.”
“It’s got a good beat, and you can Jance to it.”
“Oh, they’re done. On to Deerhoof.”
“So this is Deerhoof?”
“Yeah, they’ve been around for about 20 years and they play math rock.”
“So they aren’t Deerhunter?”
“No, Deerhunter’s singer is tall and Deerhoof’s singer is short. That’s how you tell them apart.”
“And they don’t play math rock.”
“But they both put on good shows. Feel that jazzy little guitar riff on ‘Paradise Girls.’”
“It’s very jazz-student wave. Weren’t these guys originally a noise rock band?”
“Well yeah, but they’ve discovered the joys of pop. There’s even a singalong chorus of BA-BA-BAs on this song!”
“I see she’s trying to get the audience to sing along. They aren’t taking the bait.”
“Well, I will. BA-BA-BA-BA BA BA.”
“Topher, stop.”
“No, I’m making up for Winnipeg’s notable lack of enthusiasm for anything. BA-BA-BA-BA BA BA”
“You’re at the back. She can’t hear you.”
“Well, darn. They are awfully energetic…”
“And tight! You’re going to ruin her concentration with your BA-BA-BAing! It’s like clapping along, it never works!”
“Point taken . . . oh it’s over.”
“No encore?”
“None! Maybe they’re disappointed about the lack of BA-BA-BAs?”
“Well, shame on Winnipeg. This band deserve better.”
“My apologies to Deerhoof. At least I BA-BA-BAed.”
“Deerhoof: A band whose live show deserves a BA-along.”

 

Retrospectives on May Releases from Manitoba Musicians: Basic Nature, Carly Dow, Raine Hamilton, and Rayannah

womeninwinnipeg

By Selci

Recently I ran into local musicians Raine Hamilton and Rayannah at Thom Bargen and we discussed all the women releasing albums in May. It seemed like a great idea to get everyone together at Munson Park and talk about music and being women in the scene in Winnipeg. Raine, Ray, Carly Dow, Basic Nature, and I spent an afternoon in the sunlight and had a lovely and productive discussion about music and equality. It all began with one question: Continue reading “Retrospectives on May Releases from Manitoba Musicians: Basic Nature, Carly Dow, Raine Hamilton, and Rayannah”