An evening of trans + queer sound art and poetry (October 1 @ aceartinc.)
by maggie astrid clark photos by derek brueckner
As evidenced by September’s so-called “1 Million March 4 Children” and by recent legislation in Saskatchewan and New Brunswick, we are living through a time of escalating fascist rhetoric against trans people and related political efforts to strip the most vulnerable of us of access to safe medical and social transitions. Amidst a backdrop of great uncertainty for the future of our communities, it was truly refreshing to attend an evening of Two Spirit, trans, and queer sound art and poetry at aceartinc. (206 Princess St.) on October 1.
Friends and supporters of local “campus and community” radio station CKUW (95.9 FM) came out to the Good Will Social Club on Thursday, March 30 to wrap up the annual pledge drive in support of keeping CKUW listener-driven and free of paid advertising. It was an intimate gathering and a great opportunity not only to support the continued work of CKUW and its in-house music magazine, Stylus Magazine, but for the staff and volunteers to celebrate that work.
Living Hour is a Winnipeg-based indie band that has been around for almost a decade, and with the group having been in various jam spaces over the years, it was a pleasure to see their current setup in a beautiful living room in the heart of Osborne, filled with natural sunlight. Living Hour consists of members Sam Sarty, Gilad Carroll, Adam Soloway, and Brett Ticzon. It was through his links in the music scene that Carroll found Sam Sarty, who became the singer for Living Hour. Other members of the band, Adam Soloway and Brett Ticzon, were long-time friends with Carroll and visit the space regularly to write songs and jam.
The following is an interview with Len Bowen, a Rap artist hailing from Winnipeg. Known for his lyrical prowess, Len has crafted a diverse catalogue of songs, ranging from soul-searching meditations to electrifying battle-ready verses. Here, we discuss his latest project, NTHN4GRNTD, and dive into what influenced it.
Courtney Carmichael and Nikki St. Pierre in their studio.
by Mike Thiessen
Sleeping is, without a doubt, the secondary purpose of Courtney Carmichael’s Beausejour bedroom. For the past several years, it has functioned primarily as the practice space and recording studio of sundayclub, an alternative-dream pop duo comprised of Carmichael and Nikki St.Pierre.
Bush Lotus has had one hell of a summer. Between months of tree-planting in the heat and thick smoke of forest fires in Northern BC, Arielle Beaupré played her first headlining show, did a triple on the Manitoba festival circuit, and released her debut EP, Floating Kitestrings.
“Here’s a song that might have debuted in Winnipeg back in 1999 or something,” mumbled Dan Bejar of Destroyer before gently playing a solo rendition of “Destroyer’s the Temple.”
“You’re all so attentive!” Bella White exclaimed to her quietly captivated audience halfway through her Sunday afternoon concert at Folk Fest’s Spruce Hollow stage. It’s hard not to be – White’s viscerally relatable lyricism and sweet and powerful vocals doused in a healthy amount of classic old-time country twang get at listeners in a way that not much else does.