Hillbilly Highway – Pit stop with Tim Hus

Tim Hus is a Canadiana Country singer based out of Calgary, AB. Born in Nelson, B.C., Hus has traveled the Hillbilly Highway back and forth across the Great White North countless times, by train, by truck and by thumb. On Thursday, October 20th, he rolls into the Times Change(d) here in Winnipeg for an intimate set in one of his favourite watering holes.

Hus’s latest album, Hockeytown, is a Canadiana beauty in the vein of classic Canadian storytellers like Stompin’ Tom Connors and Ian Tyson. The title track is arguably one of the best hockey songs ever put to tape, up there for certain with Tom’s own classic and Propagandhi’s “Dear Coaches Corner.” I caught up with Tim as he was rolling through rural Quebec, after spending Thanksgiving playing shows on Prince Edward Island, and we quickly got talking about the Jets.

“I’m absolutely thrilled that Winnipeg has the Jets back again,” Hus told me. “I always figured that if there was ever a Canadian city that should have a hockey team, it would have to be Winnipeg. So, I was disappointed when they lost the Jets, and I’m thrilled that you’ve got them back.”
Continue reading “Hillbilly Highway – Pit stop with Tim Hus”

The Pains of Being Pure at Heart + Suuns // 09-28-11 // Lo Pub

The Pains of Being Pure at Heart in Winnipeg
Photo by Mike Chiasson at the Lo Pub in Winnipeg.

The Pains of Being Pure at Heart were recently in Winnipeg to play an amalgamated show with Montréal’s Suuns at the Lo Pub. Opening for these two would-have-been separate shows were Jersey’s Big Troubles and Montréal-based Valleys. Tons of the Stylus fam was on hand to take in this faux Battle of the Bands: National Edition that saw each act compliment one another as if it were a single renegade tour of rising face melters.
Continue reading “The Pains of Being Pure at Heart + Suuns // 09-28-11 // Lo Pub”

Bog River – Muddy and Simple


Photo by Brendan McGuire

By Victoria King

It’s a near perfect August evening – hot without being sweltering, vanilla ice cream in a cup and conversation about music, travel and inspiration with one of the city’s newest and arguably most talented groups, Bog River.

“In the ninth grade, I had a really awesome band teacher who just made me want to go to band camp every year. He just made me love music,” Ben Hadaller of the local folk trio tells me as the four of us sit around a picnic table at Sub Zero Ice Cream. Carly Dow, lead vocalist of the group, jokes that the extent of her family’s influence in her musicality came from the occasional inebriated family member banging on a piano at parties. On her left, Dave Barchyn, former associate at a music store, explains that, “If you work at a music store long enough, you end up owning a music store.”
Continue reading “Bog River – Muddy and Simple”

White Dog – Noise Below the Wall


Photo by Cole Peters
By Taylor Burgess

For Cole Peters and Chris Jacques two years ago, it all began as an outlet to release their music but since Prairie Fire Tapes’ inception, Jacques has made seven albums under the name White Dog—some really cool and psychedelic, but most others approach horrifying parts of your brain. Since he’s going to be a performer at this year’s send + receive festival, both of his tape labels are releasing killer stuff, and his own music is taking wild turns, Jacques welcomed me up to his “East Berlin” office space which he shares with No List Records so we could discuss shit.
Mostly, I just wanted to know why his music is usually such a head-trip.
“It’s not meant to be creepy or dark or anything,” he said. It’s because of being a high school guidance councilor that he internalizes a lot of the darker side of the human nature. “I deal with people every day in their psychological needs and hear lots of crazy shit from kids and then their parents about what’s going on in their lives. My teaching has always dealt with people who are marginalized, or downtrodden, abused, and all that kinds of crazy shit. I’m a history student, so a lot of that stuff—things about rebellions and resistance come through as themes in my stuff a lot of time.”
Continue reading “White Dog – Noise Below the Wall”

Frenchies? Swooooooooooooooooooooooooooon

KARKWA W/ AIDAN KNIGHT
@ WECC
Thursday, September 29, 2011
By Victoria King

As if there weren’t already loads of benefits to knowing French, (eg: a decent-paying government job, an upper hand in travelling abroad and a couple nifty pick-up lines to whip out once and a while) now there’s Karkwa.

I really shouldn’t say ‘now’ though. The guys in Karkwa have been playing and recording together for 14 years, with their most popular and recent album of being 2011’s Le Chemins de Verre which earned the band the Polaris Prize. And FYI, that year’s nominees included favourites like Tegan & Sara, The Sadies and Broken Social Scene. Before I’d listened to their latest album earlier that day, I really wasn’t too sure of what to expect and was only looking forward to the opener of the show, Aidan Knight. Not a big deal, but I sorta fell in love with LCDV not long after hitting play.
Continue reading “Frenchies? Swooooooooooooooooooooooooooon”

Hillbilly Highway – High & Lonesome Times

Sometimes when you’re cruising down the highway, some slick somebody cuts you off and burns away, leaving you in their dust.

This week, I was going to write about the Times Change(d), as beauty a rest-stop on the Hillbilly Highway as any in the free world. See, there’s a film coming out about the joint this Thursday at the Times itself, with screening and performances by Times regulars Andrew Neville & the Poor Choices and Guerrillas of Soul.

But Kent Davies beat me to it, the truck driving son of a gun. And he did a good job of it too, summing up the event and the beauty of the bar succinctly. Like an experienced vet; like a pro. Read about it on the Uniter’s blog.
Continue reading “Hillbilly Highway – High & Lonesome Times”

Besnard Lakes // 09-30-11 // WECC


Photo by Andrew Vineberg.

This past week, two huge previous Polaris nominees stormed through the West End Cultural Centre–The Besnard Lakes who, as you can tell from above, played with their purple haze of their smoke machine and bright lights and Malajube who played with their mystique Français and proggy catchy numbers. After the jump are some photos of those bands and The Soft Province (who, in case you’re as confused as I was, features Jace from Besnard Lakes as well) as taken by Andrew Vineberg and stay tuned for a review. Continue reading “Besnard Lakes // 09-30-11 // WECC”

First Class Riot; Nuit Blanche 2011


Photo by Jordan Janisse // Jellyfish Installation

Since I had felt quite underdressed the night previous at The Drugs’ Festival Psychedelique at Negative Space, for Nuit Blanche I dolled myself up with eyeliner, some pearls of Elise’s, and a blazer of mine that I pretty much never wear. Indeed, I felt like putting myself out there for a night I hoped to be a little more out-there than Winnipeg’s first stab at Nuit Blanche the previous year.

First up was the drawing competition happening at the Edge Gallery hosted by the Places for Peanuts drawing club. Having been friends with some of the Peanuts—who are mostly Art City employees/volunteers—but never having attended their drawing club, I was keen to get drawing, and started making scribbling after scribbling of shit and drawings of people shitting as soon as Janessa handed out the paper pads and pens. (A pad which I later passed on to Kelly Ruth that night.) Soon enough, Chesterfieldians Elise, Scott, Ryan, and I got to playing a game of visual Telephone to warm ourselves up for Drawball(?) taking the name of Team Ottoman[sp?]. Drawball, which is pretty much Pictionary on speed, felt like some sort of “bring it bring it” b-boy/b-girl battle, with the practiced Peanuts definitely strutting their stuff ’n’ scribbles, and taking home their Cracker Jack prizes. But fuck, how can someone draw “Deal with it”?! Continue reading “First Class Riot; Nuit Blanche 2011”

Hillbilly Highway – Fred rides 6 Volts hard

I’ve been listening to Fred Eaglesmith’s latest, 6 Volts, since it dropped into my mailbox a couple weeks back. The songs on 6 Volts are classic Fred, tunes of murder, love lost, guns and the Road. Recorded with one mic straight to tape, the disc has the mono immediacy of old Sun records, a sound even John Mellencamp has toying with of late.

Fred’s a road dog, traveling thousands of klicks a year, playing hundreds of shows in an endless cycle that takes him into every backwater, big town and metropolis in North America, and beyond. Three tunes in particular, maybe four, off 6 Volts really hone in on the reality of an aging troubadour who can’t quit grinding it out.

“Betty Oshawa” tells the tale of a musical partnership that fell apart, eponymous Betty making it big while the narrator bags groceries in his hometown. “Johnny Cash” takes issue with Johnny-come-lately-Johnny-fans, taking the fickle listener to task for not supporting an artist while they’re alive. “Trucker Speed” ain’t necessarily about a traveling singer, but it very well could be.

“Stars” hits home hardest. Fred talks straight up about gigging non-stop, playing small towns like you’re the biggest star. Long after the lights have gone down, the protagonist sings “My hands hurt from playing my guitar / All those nights in all those bars / We played like we were stars.” Fred mentions long time bandmate Willie P. Bennett, and laments how easy it is to think the good times will never end. Playing in a band, it’s easy to feel this way.

I’ve seen Fred play a couple times now, and I’ve missed him even more by bad timing and my own traveling. I met him once, out behind the Park Theatre a couple years back. Me and my buddy Woodtick were slamming the last of our beers before heading in to catch the opening act, the Ginn Sisters. As we were rounding the corner, there’s a van with Ontario plates sitting there with the door wide open on the side. Out rolls Fred, putting his socks on.

We stopped, and I made straight for Fred, extending my hand. We chatted him up, gave him one of our CDs to “listen to if you get sick of the radio.”

“You in a band?” he asked us. We nodded. Yessir. We put out our CD ourselves, we humble bragged. “That’s the only way to do it, boys,” he said. He looked at the CD briefly, set it aside, and finished pulling his socks on. Then he looked up at us.

“Never quit, boys,” he told us, looking us both in the eye. “Never quit.”

In the songs on 6 Volts, you know Fred really means it. He ain’t quitting anytime soon. Thank something for that.

– Sheldon Birnie