Mac DeMarco :: No straight talk here…

 

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by Gil Carroll

With the release of his new, overwhelmingly fresh and catchy LP, Salad Days, Mac DeMarco has been dragged into the indie music spotlight with force. He’s been told to stay there, take countless interviews with every music blog in North America and Europe, sing some songs to sold out crowds all over the world, tell jokes and do funny dances. With so much coverage and a frenzy of hip kids surrounding Mac at this point, what else is left to be said? Continue reading “Mac DeMarco :: No straight talk here…”

Hillbilly Highway – Ryan Boldt on the dangers of the Highway, and Winnipeg Folk Fest 2014

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by Sheldon Birnie

There’s no secret that Saskatoon’s Deep Dark Woods are a favourite of ours out here on the Highway. As such, we’re very fired up as the Winnipeg Folk Fest starts to creep up on us. I spoke with Ryan Boldt of the DDWs a month or so ago, and if you’ve seen the June/July 2014 issue of Stylus on stands, you may have read our feature. But not everything made it to print, and some of the best stuff was left on the cutting room floor. As I continue to listen to the Deep Dark Woods excellent Jubilee on repeat while I check my camping gear for all its essentials, here’s a bit of our conversation… Continue reading “Hillbilly Highway – Ryan Boldt on the dangers of the Highway, and Winnipeg Folk Fest 2014”

Timber Timbre :: Scary music, but far from scary only

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by Sheldon Birnie

Timber Timbre crept onto the Canadian music scene like a thief in the night, capturing the imaginations of audiences and critics. Their 2011 opus, Creep on Creepin On, was nominated for the Polaris Prize, and spawned a series of five mind bending cinematic short films (or, “music vides,” if you prefer). The band, formerly a solo project of Taylor Kirk’s now filled out to a larger, collaborative performance based group, recently released Hot Dreams, an LP which is sure to find its way onto Top Ten lists (and likely the Polaris Prize long list, at least) for 2014. As the band launched themselves into “the touring vortex,” Stylus caught up with Taylor Kirk in a hotel room in gloomy Iowa City for a chat before their Winnipeg Jazz Fest performance. Continue reading “Timber Timbre :: Scary music, but far from scary only”