Elliott Walsh has carried a notebook every day since 2004, but today he isn’t. The Winnipeg wordsmith’s new album as Nestor Wynrush, Trinnipeg !78, is done, released and so he’s taking a break from saving notes for lyrics. “The writing feels agonizing,” Walsh says. “What feels agonizing is getting out that feeling exactly. It’s not just in your brain. It’s weighing on your heart.” Continue reading “Nestor Wynrush”
Unless you’re living under floorboards or have your privacy setting ramped up on Facebook so you’re not bombarded with event invites, you probably know about Haunter. And if you don’t you should. I think they’re the best band in Winnipeg since Duotang, so let me tell you!
Haunter is Matt Williams and Jory Hasselmann on guitars, Marie-France Hollier on bass and Ryan Coates on drums. They play with the sound and fury of those old (and I use the term loosely) bands like Pavement, Dinosaur Jr. and Sonic Youth: mulchy, naive experimentation comes together with a hooky pop sense to make something refreshing and highly addictive. Taking these risks has its rewards. The band is packing venues around Winnipeg, has played alongside Women, Land of Talk and Handsome Furs and has a new, fast-selling 7” out and a Western-Canadian tour with Mount Royal that’ll end with a showcase at NXNE.
Haunter blessed me with a meeting over beer and tequila at Carlos & Murphy’s just days before Hasselmann’s Italian sabbatical. Continue reading “Haunter”
On the strength of their self-titled debut EP, Winnipeg roots quartet Oh My Darling are going places, fast. So fast that I couldn’t nail them down in person and had to conduct our interview on Facebook while the band was touring western Canada. Fiddle player Rosalyn Dennett—who is joined in the band by Allison de Groot on claw-hammer banjo, Marie-Josée Dandeneau on upright and electric bass and Vanessa Kuzina on vocals, guitar and mandolin—filled me in on the past, present and future of the group. Continue reading “Oh My Darling”