by Sheldon Birnie
Timber Timbre crept onto the Canadian music scene like a thief in the night, capturing the imaginations of audiences and critics. Their 2011 opus, Creep on Creepin On, was nominated for the Polaris Prize, and spawned a series of five mind bending cinematic short films (or, “music vides,” if you prefer). The band, formerly a solo project of Taylor Kirk’s now filled out to a larger, collaborative performance based group, recently released Hot Dreams, an LP which is sure to find its way onto Top Ten lists (and likely the Polaris Prize long list, at least) for 2014. As the band launched themselves into “the touring vortex,” Stylus caught up with Taylor Kirk in a hotel room in gloomy Iowa City for a chat before their Winnipeg Jazz Fest performance. Continue reading “Timber Timbre :: Scary music, but far from scary only”
