EP Review :: Tired Cossack :: Село (Selo)

by Margaret Banka

Село (Selo) is the second EP to come from Tired Cossack, AKA Stiv Halas. Meaning “village” in Ukrainian (yes, I did have Google translate that,) the title sets the conceptual tone for the EP. A village provides a binate metaphor which can be soothing and stifling all at once: a support system of love, kinship, and friendship on one hand, but also a small, stagnant coop. 

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Artist Interview :: Ghost Twin :: Love Songs for End Times

by Joel Klaverkamp

Ghost Twin released their newest album, Love Songs for End Times, on Friday, June 4th via Artoffact Records. Their first single and video, “Pet Cemetery,” is a real step up the magical ladder for this local heartwarming duo. The sound is dialed in and focused. It’s powerful and dark, mixing with quirky and sad lyrics. Each song works perfectly with the rest as part of a bigger picture and the visuals are so tight. I had a chance to call them up on the video phone and have a chat about it so I took it. 

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Album Review :: I.Bell :: Summer Underneath

 by Daniel Kussy

Audio documentation of the intense heat

Back in April, Ian Bell found himself in a pickle. When his background in sociology couldn’t guarantee him secure employment due to a global pandemic, paired with any and all plans for attending live music/art gatherings evaporated in front of him for similar reasons, Bell found himself taking up manual labour in the outdoors.

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Kurt Heasley :: Lilys and Artistic Freedom

by Ryan Haughey

Since 1988, Washington D.C. artist Kurt Heasley has been rocking through genre and style with his band Lilys. Call them shoegaze, dreampop, post-rock, or grunge, the spirit of Lilys is to pursue the purity of art. Over the years, Kurt and Lilys have been compared to My Bloody Valentine, The Monkees, and The Zombies, but there’s no pinning down the sound of Kurt Heasley. 

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Album Review :: Jesse Ryan :: Bridges

by Phil Enns

As its title suggests, the debut album by Toronto-based saxophonist Jesse Ryan sees the gifted young instrumentalist building musical bridges between traditional jazz idioms and the Afro-Caribbean rhythms of his native Trinidad & Tobago. The improvisational nature of jazz always appealed to Ryan, as it provided, in his own words, “a space for collaboration, cultural exchange, and [a place] where old and new worlds meet.”

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