Girls With Guitars

By Kaitlyn Emslie Farrell

At least six years ago Kalyn had an idea to create a TV series about the inspiring and ambitious local girls of Winnipeg, who continuously impress the city with their stringed skills. Fast forward a bit and add Cindy and Jenny, change TV series to documentary, and throw an application in to MTS’ Stories From Home, and we have the beginning of Girls With Guitars. Continue reading “Girls With Guitars”

Warming

by Chris Bryson

After years playing in bands like Slow Spirit, Odana, Somebody Language and under his own name, Brady Allard’s newest project, Warming, lives up to its own name. Allard will be playing his first show as Warming at the Handsome Daughter on February 17th. The first single from Warming’s eponymous debut album, “White Lies”, was released on January 23rd in anticipation of the show. Continue reading “Warming”

Big Fun

By Chris Bryson

The Big Fun festival has been going on since 2012 and has become a beloved staple and growing fixture of the Winnipeg music scene. Since its inception, the multi-genre festival has been evolving and changing. It is now comprised of four members, and covers 14 shows over 5 days at multiple different locations. Continue reading “Big Fun”

1971 :: No Matter Where You Go, There You Are :: A Tribute to Cameron Cranston

By Allegra Chiarella

No Matter Where You Go, There You Are is the title of Canadian rock band 1971’s upcoming debut album – as well as a favorite saying of former bassist, Cameron “Cran” Cranston, who passed away earlier this year. The band’s three remaining members have decided to pursue separate paths in his absence, but will reunite this December for one final show where they will release the full-length album, as a tribute to their bandmate and friend. Continue reading “1971 :: No Matter Where You Go, There You Are :: A Tribute to Cameron Cranston”

Wares :: Creating Intimacy

By Charlie Fraser

Creating intimacy at a live performance can seem like an impossible thing. There is this very distinct separation between the musician(s) on the stage and everyone else on the ground below them. The space where the audience members are is very dark so the musician(s) can’t see them; meanwhile, the musician(s) are lit up with intense fluorescent lights illuminating every single one of their features and even, flaws. Continue reading “Wares :: Creating Intimacy”