
by Daniel Kussy
Success With House Plants is Urban Vacation’s incredible debut LP. Continue reading “Album Review :: Urban Vacation :: Success With House Plants”

by Daniel Kussy
Success With House Plants is Urban Vacation’s incredible debut LP. Continue reading “Album Review :: Urban Vacation :: Success With House Plants”

by Kaelen Bell
“I have a bit of a cold,” Tamara Lindeman says, a little apologetically, as she kneels to quietly blow her nose. The crowd laughs gently and murmurs with sympathy, though they seem to watch even this small moment with baited breath. It hasn’t broken the hex. Continue reading “Live show review :: The Weather Station”

by Chris Bryson
Following an experimental route in any artistic medium involves taking chances, sticking by them, and a drive for continued evolution. Beth’s mutating avant-garde aspirations put the trio in a wheelhouse where not many Winnipeg bands dwell, but that hasn’t kept them from digging deeper into the unknown. Continue reading “Beth”

by Kaelen Bell
I call Tamara Lindeman just before she’s about to hit the road, and she apologizes that she doesn’t have long to talk. She played POP Montreal last night and is headed to Ottawa to perform again this evening.
Lindeman has been travelling and writing songs as The Weather Station for more than a decade, building a carefully considered body of work that dissects, with delicate tension, the grey areas within and around us. Continue reading “The Weather Station”

by Olivia Michalczuk
The album opens with single “Kitty Kitty,” and you can’t help but imagine Silence Kit’s front person, Mannon, bouncing off the walls of the recording studio, as she does in live performance. Continue reading “Review :: Silence Kit :: Kitty Kitty”

by Kaelen Bell
Strange weather brings stranger vibrations as Send + Receive Festival descends on Winnipeg in its 20th incarnation, with a new host of artists, alchemists and alien dispatches. Continue reading “Send + Receive Embarks on Third Decade”

Winnipeg’s Silence Kit has been turning heads and blasting ear drums since their explosive debut performance in 2016. They have since gained a reputation for being one of the cities most fun and heavy rock bands who always deliver a mind numbing live show. Continue reading “Video Premiere :: Silence Kit :: Kitty Kitty”

by Chris Bryson
The second EP from the Heather Thomas led project finds ATLAAS’ dreamy R&B and soul-infused electro-pop with sharpened songwriting, bigger hooks and broader dynamics. Continue reading “Album Review :: ATLAAS :: ATLAAS”

by Olivia Michalczuk
I started drum lessons at 9 years old. I wanted to be like… well, I’m not sure who I wanted to be like. My parents listened to a healthy blend of local rock, classic hair metal, and 80’s pop. Hence, the women I looked up to in music were Whitney Houston, Heart, and the Spice Girls, none of which had a female drummer. Continue reading “Girls Rock Winnipeg”

by Chris Bryson
Never a band to tread the same path twice, KEN mode’s return seemed destined to cover new ground. After having taken on bold variations of sound all rooted in the jagged rage of noise, the guys have landed in darker territory on their newest offering Loved. And judging by the first couple tracks released from the album, the KEN mode fury is alive and well. Continue reading “KEN mode”