by Olivia Michalczuk
The album opens with single “Kitty Kitty,” and you can’t help but imagine Silence Kit’s front person, Mannon, bouncing off the walls of the recording studio, as she does in live performance. Continue reading “Review :: Silence Kit :: Kitty Kitty”
Winnipeg’s Silence Kit has been turning heads and blasting ear drums since their explosive debut performance in 2016. They have since gained a reputation for being one of the cities most fun and heavy rock bands who always deliver a mind numbing live show. Continue reading “Video Premiere :: Silence Kit :: Kitty Kitty”
by Ryan Haughey
The usually crowded Times Change(d) High and Lonesome Club was extra crowded on this Saturday Night. Indie-folk Winnipeg band Kakagi returned to the stage with a bunch of new songs to wow the audience with. Continue reading “Kakagi :: Live Show and Album Review”
by Chris Bryson
Two tracks juxtaposed with equal time to expand within the aural space of the mind. Idle it’s called, but idle it’s not. Slow Spirit’s follow-up EP to last year’s Unnatured finds the band returning with all the elements of their sound more finely tuned than ever, showcasing once again their knack for cohesive sonic diversity, while still pulling at emotions every note along the way. Continue reading “EP Review :: Slow Spirit :: Idle”
by Chris Bryson
The second EP from the Heather Thomas led project finds ATLAAS’ dreamy R&B and soul-infused electro-pop with sharpened songwriting, bigger hooks and broader dynamics. Continue reading “Album Review :: ATLAAS :: ATLAAS”
by Olivia Michalczuk
I started drum lessons at 9 years old. I wanted to be like… well, I’m not sure who I wanted to be like. My parents listened to a healthy blend of local rock, classic hair metal, and 80’s pop. Hence, the women I looked up to in music were Whitney Houston, Heart, and the Spice Girls, none of which had a female drummer. Continue reading “Girls Rock Winnipeg”
by Chris Bryson
Never a band to tread the same path twice, KEN mode’s return seemed destined to cover new ground. After having taken on bold variations of sound all rooted in the jagged rage of noise, the guys have landed in darker territory on their newest offering Loved. And judging by the first couple tracks released from the album, the KEN mode fury is alive and well. Continue reading “KEN mode”
by Chris Bryson
Continuing tradition can be a great thing. Apply that to music festivals and you’ve found many people’s version of heaven. Areas of the world have so many memories spread across what eventually becomes sacred musical land. The first ever Hoot Owl festival makes its home in Kerry, Manitoba at the old locale of the legendary Shine On festival and sets out to continue tradition while being its own thing in the process. Continue reading “Hoot Owl Festival :: New Name, Same Place, Familiar Spirit”
by Chris Bryson
Not many bands can make music that moves with such elegance, ease, and bounce as TOPS. Surely this is no easy feat, as the band has been honing their formula over the course of three albums, plus another in progress. Last year’s Sugar at the Gate, TOPS’ third full-length, found the band pushing their soft indie rock a la mellow disco-funk into a further refined breezy luster. Continue reading “TOPS :: Elegance and ease”
“Help me understand” is the new single from Bloom who is Daniel Monkman of former Winnipeg shoegaze pioneers The Blisters. The Ethereal sound scape created during the first two movements of the song symbolize the triumph over addiction, Racism and Self-destruction. Continue reading “New Track :: Bloom :: Help me understand”
