Winnipeg’s Silence Kit has been turning heads and blasting ear drums since their explosive debut performance in 2016. They have since gained a reputation for being one of the cities most fun and heavy rock bands who always deliver a mind numbing live show. Continue reading “Video Premiere :: Silence Kit :: Kitty Kitty”
by Chris Bryson
The second EP from the Heather Thomas led project finds ATLAAS’ dreamy R&B and soul-infused electro-pop with sharpened songwriting, bigger hooks and broader dynamics. Continue reading “Album Review :: ATLAAS :: ATLAAS”
by Olivia Michalczuk
I started drum lessons at 9 years old. I wanted to be like… well, I’m not sure who I wanted to be like. My parents listened to a healthy blend of local rock, classic hair metal, and 80’s pop. Hence, the women I looked up to in music were Whitney Houston, Heart, and the Spice Girls, none of which had a female drummer. Continue reading “Girls Rock Winnipeg”
by Chris Bryson
Never a band to tread the same path twice, KEN mode’s return seemed destined to cover new ground. After having taken on bold variations of sound all rooted in the jagged rage of noise, the guys have landed in darker territory on their newest offering Loved. And judging by the first couple tracks released from the album, the KEN mode fury is alive and well. Continue reading “KEN mode”
by Chris Bryson
Not many bands can make music that moves with such elegance, ease, and bounce as TOPS. Surely this is no easy feat, as the band has been honing their formula over the course of three albums, plus another in progress. Last year’s Sugar at the Gate, TOPS’ third full-length, found the band pushing their soft indie rock a la mellow disco-funk into a further refined breezy luster. Continue reading “TOPS :: Elegance and ease”
by Chris Bryson
Votov’s music is grounded in the roots of death metal — borne of its vortex of brutality and darkness. The Winnipeg trio’s self-titled debut is a hardened take on death metal’s more rugged and foundational aspects. it’s music made for crumbling worlds and thrashing bodies in circling pits. Continue reading “Album Review :: Votov :: Votov”
by Olivia Michalczuk
Folk duo and twins Lucas and Madeleine Roger are preparing to open the festival and play the main stage at what they refer to as a second home, Winnipeg Folk Festival. Their family is no stranger to the festival. The family’s colourful history with WFF dates further back than their first-year camping as babies in 1992. Continue reading “Roger Roger :: Winnipeg Folk Festival”
by Kaelan Bell
There’s a tricky line to walk when recording an album that flirts with ambience or shapelessness. A rhythm typically needs to establish itself, either through repetition of motifs and sounds or a total and comprehensive understanding of sequencing. There needs to be a thread that can pull the listener through the collection — a conviction of vision and purpose. Continue reading “pisces// :: he-does-not-wake-you”
by Chris Bryson
Over four years after the release of their Every Kind of Light EP, Vampires return with Nature Laughs, a refined development of their sound that furthers the duo’s fuzzed-out emotive thrust. Continue reading “Vampires :: Nature Laughs”
Words and photos by Zoe Lebrun
Yes Fest is all about bringing obscure, up-and-coming bands of various genres into the spotlight. This was accomplished in spades this year at the first official festival put on by Yes Wave Promotions. The festival took place over three days at various venues in Winnipeg and featured fourteen bands from all across Canada. While it was not without its hiccups, the festival was still a smashing success, and Yes Wave promoters have big dreams for the festival in the coming years. Continue reading “YES FEST 001 – FESTIVAL RECAP”
