Winnipeg music & culture since 1989
by Scott Price
Veteran Hamilton based rapper Lee Reed has released one of the most relevant EP’s of the decade, The Steal City EP. Lee sets his sites on the gentrification of Hamilton which has recently been subsumed into the Toronto housing bubble. Continue reading “Album Review :: Lee Reed :: The Steal City EP”
by Ryan Haughey
Deafening blows to snare, tom, and cymbal alike accompany low tuned guitars drenched in feedback on this album. Vancouver group Woolworm follow many hard-core tropes while simultaneously sending out shoegaze vibes. Deserve To Die is a masterful display of songwriting talent and energy-invoking recorded performance. Continue reading “Album Review:: Woolworm :: Deserve To Die”
by Jen Doerksen
Rae Spoon’s new LP bodiesofwater comes out on the twentieth anniversary of the first show Spoon ever played, and ten years after the release of their break-out album superioryouareinferior. As a non-binary person, Rae is no stranger to having an identity that doesn’t fit societal and legal structures. Like bodies, water is regulated and increasingly commodified, despite being fundamental to life. On this, Spoon’s ninth album, they explore their common ground and connections with the ocean surrounding their Vancouver Island home. Continue reading “Interview :: Rae Spoon”
by Daniel Kussy
Success With House Plants is Urban Vacation’s incredible debut LP. Continue reading “Album Review :: Urban Vacation :: Success With House Plants”
Words by Mark Rabkin
Art by Natasha Hassan
From the first reverb soaked, swirling saxophone lines I was hooked. Evoking thoughts of a bygone time in my life. Reminiscent of late nights and early mornings with the lights down low. Where the last wisps of smoke dance away. Continue reading “Vaporwave: An Introduction”
by Kaelen Bell
“I have a bit of a cold,” Tamara Lindeman says, a little apologetically, as she kneels to quietly blow her nose. The crowd laughs gently and murmurs with sympathy, though they seem to watch even this small moment with baited breath. It hasn’t broken the hex. Continue reading “Live show review :: The Weather Station”
by Chris Bryson
Following an experimental route in any artistic medium involves taking chances, sticking by them, and a drive for continued evolution. Beth’s mutating avant-garde aspirations put the trio in a wheelhouse where not many Winnipeg bands dwell, but that hasn’t kept them from digging deeper into the unknown. Continue reading “Beth”
by Kaelen Bell
I call Tamara Lindeman just before she’s about to hit the road, and she apologizes that she doesn’t have long to talk. She played POP Montreal last night and is headed to Ottawa to perform again this evening.
Lindeman has been travelling and writing songs as The Weather Station for more than a decade, building a carefully considered body of work that dissects, with delicate tension, the grey areas within and around us. Continue reading “The Weather Station”
by Olivia Michalczuk
The album opens with single “Kitty Kitty,” and you can’t help but imagine Silence Kit’s front person, Mannon, bouncing off the walls of the recording studio, as she does in live performance. Continue reading “Review :: Silence Kit :: Kitty Kitty”
by Kaelen Bell
Strange weather brings stranger vibrations as Send + Receive Festival descends on Winnipeg in its 20th incarnation, with a new host of artists, alchemists and alien dispatches. Continue reading “Send + Receive Embarks on Third Decade”