Winnipeg music & culture since 1989
by Kaelen Bell
Lizzy Burt is busy. After spending the summer playing shows across Canada, the Juniper Bush front person (and solo artist, under the name elizabeth) recently dove head first into an entirely new passion, one that’s consumed her time for the past several months – a framing shop. Continue reading “Juniper Bush and The Framing Queen of Winnipeg”
by Jesse Popeski
Carly Dow’s 2015 debut Ingrained introduced a bold and ambitious folk artist to the Canadian music scene. Her sophomore album Comet (October 19th, 2018) reveals a self-assured artist abandoning the need to prove herself and allowing an unpolished rawness to come through. Continue reading “Album Review :: Carly Dow :: Comet”
by Nina Zigic
In this experimental-pop, storytelling album, local artist Steve Basham shows us what goes on in his mind with a mix of electric guitar, electronic music aspects, and his own voice. He goes into detail about his dreams and there’s never a dull moment listening to this album. Continue reading “Album Review :: Steve Basham :: The Nightbug”
by Daniel Kussy
Success With House Plants is Urban Vacation’s incredible debut LP. Continue reading “Album Review :: Urban Vacation :: Success With House Plants”
by Chris Bryson
Following an experimental route in any artistic medium involves taking chances, sticking by them, and a drive for continued evolution. Beth’s mutating avant-garde aspirations put the trio in a wheelhouse where not many Winnipeg bands dwell, but that hasn’t kept them from digging deeper into the unknown. Continue reading “Beth”
by Kaelen Bell
I call Tamara Lindeman just before she’s about to hit the road, and she apologizes that she doesn’t have long to talk. She played POP Montreal last night and is headed to Ottawa to perform again this evening.
Lindeman has been travelling and writing songs as The Weather Station for more than a decade, building a carefully considered body of work that dissects, with delicate tension, the grey areas within and around us. Continue reading “The Weather Station”
by Olivia Michalczuk
The album opens with single “Kitty Kitty,” and you can’t help but imagine Silence Kit’s front person, Mannon, bouncing off the walls of the recording studio, as she does in live performance. Continue reading “Review :: Silence Kit :: Kitty Kitty”
by Kaelen Bell
Strange weather brings stranger vibrations as Send + Receive Festival descends on Winnipeg in its 20th incarnation, with a new host of artists, alchemists and alien dispatches. Continue reading “Send + Receive Embarks on Third Decade”
Winnipeg’s Silence Kit has been turning heads and blasting ear drums since their explosive debut performance in 2016. They have since gained a reputation for being one of the cities most fun and heavy rock bands who always deliver a mind numbing live show. Continue reading “Video Premiere :: Silence Kit :: Kitty Kitty”
by Chris Bryson
Continuing tradition can be a great thing. Apply that to music festivals and you’ve found many people’s version of heaven. Areas of the world have so many memories spread across what eventually becomes sacred musical land. The first ever Hoot Owl festival makes its home in Kerry, Manitoba at the old locale of the legendary Shine On festival and sets out to continue tradition while being its own thing in the process. Continue reading “Hoot Owl Festival :: New Name, Same Place, Familiar Spirit”