Winnipeg music & culture since 1989
by Ryan Sorensen
Blues Druid is the debut LP from Satanic Rights, a lo-fi, garage/punk rock band from Winnipeg. Released by the indie Transistor 66 Records, the album follows up on the heels of their 2015 self-titled EP release. After three years, I am happy to say this collection of songs was a devilishly good time, and well worth the wait. Continue reading “Album Review :: Satanic Rights :: Blues Druid”
by Chris Bryson
Never a band to tread the same path twice, KEN mode’s return seemed destined to cover new ground. After having taken on bold variations of sound all rooted in the jagged rage of noise, the guys have landed in darker territory on their newest offering Loved. And judging by the first couple tracks released from the album, the KEN mode fury is alive and well. Continue reading “KEN mode”
by Chris Bryson
Votov’s music is grounded in the roots of death metal — borne of its vortex of brutality and darkness. The Winnipeg trio’s self-titled debut is a hardened take on death metal’s more rugged and foundational aspects. it’s music made for crumbling worlds and thrashing bodies in circling pits. Continue reading “Album Review :: Votov :: Votov”
by Chris Bryson
Over four years after the release of their Every Kind of Light EP, Vampires return with Nature Laughs, a refined development of their sound that furthers the duo’s fuzzed-out emotive thrust. Continue reading “Vampires :: Nature Laughs”
by Chris Bryson
Have you ever wanted to see some awesome heavy local bands live from your living room couch? Red Tie Productions has been working at bringing you just that. Continue reading “Red Tie Productions”
by Chris Bryson
The Faceless will be in Winnipeg on June 20th to play the Park Theatre with support from North Vancouver’s Angelmaker and locals Inverted Serenity. I got the chance to chat with Michael Keene, main creative force behind The Faceless about some insights into the project. Continue reading “The Faceless :: Multidimensional Metal”
By Chris Bryson
Russian Circles perform in Winnipeg on April 8th at the Garrick Centre. Chris Bryson had the chance to chat with bassist Brian Cook to get a sense of the world of Russian Circles. Continue reading “Russian Circles :: Transcendental Darkness”
by Chris Bryson
Inverted Serenity’s third album, As Spectres Wither, shows the band forward thinking, pushing their sound to larger and finer, more sinister and dynamic forms. Although the new album isn’t a huge departure from the band’s previous releases, it showcases their skill in composing songs that mesh technical flair and ferocity with finesse and melody, knowing the importance of contrasts and nuances when it comes to more extreme forms of music. Continue reading “Inverted Serenity :: As Spectres Wither”
In December, Stylus caught up with drummer and graphic artist for legendary Québec metal band Voivod, Michel Langevin. Their latest album Target Earth, was released January 22nd through Century Media Records. In its 30 year career, Voivod has made a name for themselves with a prog-rock/trash metal sound, thought-provoking lyrics, and an eerie science-fiction vibe. It was a chilling cover of Pink Floyd’s “Astronomy Domine” from 1989’s Nothingface that broke the band, reaching number 114 on the Billboard 200 album chart. Continue reading “Voivod :: Target Earth with new album”
