by Ryan Sorensen
Blues Druid is the debut LP from Satanic Rights, a lo-fi, garage/punk rock band from Winnipeg. Released by the indie Transistor 66 Records, the album follows up on the heels of their 2015 self-titled EP release. After three years, I am happy to say this collection of songs was a devilishly good time, and well worth the wait. Continue reading “Album Review :: Satanic Rights :: Blues Druid”
by Nigel Webber
Anthony OKS has achieved certified banger status with “TBA.” OKS, a member of long running Winnipeg hip-hop group the Lytics, has a new single from his solo project that features his brother and fellow Lytic, Andrew O. The beat for “TBA,” produced by Paalsh, is driven by a pulsing bass guitar riff, allowing OKS’ vocals to reinforce the urge to head nod. Continue reading “Track Review :: Anthony OKS “TBA””
by Kaelen Bell
One of the most affecting scenes in last year’s critical darling Call Me by Your Name is of a heartsick lover, waiting and awash in blue. The scene follows in the footsteps of Joni Mitchell’s Blue and Maggie Nelson’s Bluets – art that recognizes the cathartics and heartsick mysteries of blue. Add Lev Snowe’s Faded Blue to the list. Continue reading “EP Review :: Lev Snowe :: Faded Blue”
by Scott Price
Veteran Hamilton based rapper Lee Reed has released one of the most relevant EP’s of the decade, The Steal City EP. Lee sets his sites on the gentrification of Hamilton which has recently been subsumed into the Toronto housing bubble. Continue reading “Album Review :: Lee Reed :: The Steal City EP”
by Ryan Haughey
The usually crowded Times Change(d) High and Lonesome Club was extra crowded on this Saturday Night. Indie-folk Winnipeg band Kakagi returned to the stage with a bunch of new songs to wow the audience with. Continue reading “Kakagi :: Live Show and Album Review”
by Chris Bryson
The second EP from the Heather Thomas led project finds ATLAAS’ dreamy R&B and soul-infused electro-pop with sharpened songwriting, bigger hooks and broader dynamics. Continue reading “Album Review :: ATLAAS :: ATLAAS”
by Kaelan Bell
There’s a tricky line to walk when recording an album that flirts with ambience or shapelessness. A rhythm typically needs to establish itself, either through repetition of motifs and sounds or a total and comprehensive understanding of sequencing. There needs to be a thread that can pull the listener through the collection — a conviction of vision and purpose. Continue reading “pisces// :: he-does-not-wake-you”
By Chris Bryson
Music has always been an expression of the self and a space for reflections of the world around us. Wilt’s third album Ruin is defined as an intended concept album, one that their Bandcamp page describes as encompassing “the frailty of man and explores the feelings death, forgiveness, shame and guilt. Inspired by Cormac McCarthy’s The Road.” Wilt’s Ruin, follows a similar path. Continue reading “Wilt :: Ruin”
By Matt Harrison
Soft violin gently starts this album with the soothing hum of singer Raine Hamilton over top of it. Before you can fall into the melody, the violin turns to a jagged sort of snap and the story of Night Sky begins to unfurl. As the same song, “Starlight”, carries on, the acoustic folk sound offers vibes akin to wandering through a forest, the intervention of light a hopeless wish. Continue reading “Raine Hamilton :: Night Sky”
By Ryan Haughey
Rural Manitoba’s The Young Pixels’ new record is musical, intimate, and so wholesome. With a pop rock style, the married duo drives their songs forward with melodic vocals and meaningful lyrics. Continue reading “The Young Pixels :: Fever of Becoming “
