Shane Bunting, aka Madchild, has been through some difficult times these past five years. The heavily autobiographical 16 track solo LP Dope Sick largely chronicles his battle with drug addiction. Continue reading “Madchild – Dopesick”
It’s 10pm and I find myself at The Garrick Centre shoe-less; security was performing a very thorough pat-down. I hope they noticed my tight sock-game. Local up and comers Goody, Rawg, Chris Bennett and Teddy T performed before main opener R.O.Z. of EMB. He started his set off with one of my favourite tracks off his Piff Music mixtape the super smooth “Rhythm of the Night.” A few tracks from his latest mixtape Piff Music 2 were performed; most notably “’97” which features D-Block’s Styles P. He ended off his strong set with the melodically hypnotic track “Rollin.’” Continue reading “Big Sean // R.O.Z. // Goody, Rawg, Chris Bennett & Teddy T // 09-19-12 // Live @ The Garrick”
Somehow, someway I find myself climbing the winding staircase of the Greenroom. Ah yes a rap show. An Action Bronson rap show. This mountain of a man with the best rap handle this side of Snoop Lion has been generating much buzz in the rap world as of late. Yes, he may often sound like that MC whose name rhymes with Fishface Trilla and yes, he was a respected gourmet chef before he became a rapper. Continue reading “Action Bronson // Live @ Greenroom 08/15”
By Kent Davies
Rob Crooks has been a music making machine since the fourth grade. He’s been rapping, battling, making beats and sampling before he even hit high school. He’s been an integral part of Winnipeg’s burgeoning hip-hop scene, having a hand in everything from collaborating with Pip Skid on his Skid Row album, to ripping up the stage with rap-act The Fucking Retards, to writing the bulk of Magnum K.I.’s acclaimed debut album. Whether he’s rapping in viral videos about Jets games or posting the next fresh piece of local music as a contributor on the witchpolice blog, there’s a chance you’ve been exposed to the infectious creative prowess of Rob Crooks. However, unlike his previous projects, his solo debut EP Hearts doesn’t fit in the realm of conventional hip hop. Armed with drum machines, samplers, keys and a commanding growl, he’s managed to redefine himself with a solo sound that can’t be pinned down. Combining groove-laden soundscapes and ferocious lo-fi post punk, Crooks has managed to create an EP that appeals to an audience beyond the hip-hop community. Recently Stylus interviewed Crooks before his EP launch at the Lo Pub on March 15. Continue reading “Rob Crooks :: Breaking boundaries with Hearts”
With a sound that is raw, honest and provocative, you wouldn’t expect that Pip Skid (a.k.a. Patrick Skene) grew up on the mean streets of the small prairie city of Brandon, Manitoba. Skene said growing up in Brandon was, like all small cities, challenging at times, but thinks that he and his other Brandon-raised friends DJ Hunnicutt and mcenroe ended up developing their music simply because of the lack of things to do.
“We also never had other rap groups to look up to in a close sense,” says Skene, “The only place we could see or hear rap was from rare little moments when it would get played on TV or the radio.” With only punk, jazz and metal bands around them, the group played any show they could get, even if it meant playing a 12-year-old’s birthday party.
“I do believe that coming from a place like Manitoba does effect your art. Our winters change your life which in turn influences the music,” says Skene. His latest album, Skid Row, is the first time he’s worked with DJ Kutdown on an entire project. Also collaborating with Magnum K.I., Skene is proud of the record they’ve produced. Continue reading “Pip Skid – Fake Blood, Real Beats”
By Sabrina Carnevale Winnipeg’s hip-hop community has been a tight-knit one since the 1990s. Even today, local hip-hop acts turn out to play live every other week and usually to a packed house. So when the Lytics, made up of brothers Alex “B-Flat” Sannie, Andrew “A-Nice” Sannie, Anthony “Ashy” Sannie as well as their cousin Mungala “Munga” Londe, came on the scene in 2003, these sweet-faced 20-somethings were the new kids on the block.
“You have so many artists [in Winnipeg] who are able to make music inexpensively and as frequent as they want and, as a result, there are tons of hip hop shows,” says eldest brother B-Flat, 29. “Whether we feel totally a part of it, I don’t know.”
The Lytics make music on their own terms—no one tells them they have to sound a certain way. In that respect, they don’t necessarily feel they fit into just one of Winnipeg’s musical niches.
Elliott Walsh has carried a notebook every day since 2004, but today he isn’t. The Winnipeg wordsmith’s new album as Nestor Wynrush, Trinnipeg !78, is done, released and so he’s taking a break from saving notes for lyrics. “The writing feels agonizing,” Walsh says. “What feels agonizing is getting out that feeling exactly. It’s not just in your brain. It’s weighing on your heart.” Continue reading “Nestor Wynrush”