Haze XXL

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By Mischa Decter

Tom Hazelmyer, known to his fans as Haze XXL, is the founder of legendary noise rock/bizarro punk label Amphetamine Reptile Records (AmRep). While putting out records by revered sub popular bands like Helmet, The Melvins, Lubricated Goat, and Thee Headcoats, Haze XXL’s art and gig posters helped define the cultural footprint laid down by an underground of mid-Western weirdos. A documentary about Haze XXL titled The Color of Noise had its Canadian premiere at the Park Theatre on July 18 as part of No List Records’ ‘Summer of UGH’ concert series. Continue reading “Haze XXL”

Lady Lamb :: Clear your head

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By Kaitlyn Emslie Farrell

If you enjoy your indie music where the vague genre labels stem from breaking the rules and mixing up the typical formulas, then Lady Lamb is probably on your playlist, or at least she should be. Aly Spaltro aka Lady Lamb has been making music since her days working at her hometown’s popular video rental store in southern Maine, USA. Stylus caught up with Aly on the phone to talk about life and music. Continue reading “Lady Lamb :: Clear your head”

Sufjan Stevens :: Us and those we lose

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By Tim Richardson

Sufjan Stevens is known for high-concept projects. He’s crafted musical anthologies of Illinois and Michigan, made a song for each of the animals of the Chinese Zodiac, and churned out seemingly endless volumes of Christmas music. With his newest album, Carrie & Lowell, we find him at his least thematically ambitious and most biographically and emotionally exposed. As has been extensively publicized and discussed, Carrie & Lowell is very explicitly about one thing: Sufjan’s response to the 2012 death of his mother Carrie to stomach cancer. Each song copes with the reverberations of this event: witnessing it, burying it, or accepting it, sometimes all at the same time. Continue reading “Sufjan Stevens :: Us and those we lose”