by Chris Bryson
Following an experimental route in any artistic medium involves taking chances, sticking by them, and a drive for continued evolution. Beth’s mutating avant-garde aspirations put the trio in a wheelhouse where not many Winnipeg bands dwell, but that hasn’t kept them from digging deeper into the unknown. Continue reading “Beth”
by Kaelen Bell
I call Tamara Lindeman just before she’s about to hit the road, and she apologizes that she doesn’t have long to talk. She played POP Montreal last night and is headed to Ottawa to perform again this evening.
Lindeman has been travelling and writing songs as The Weather Station for more than a decade, building a carefully considered body of work that dissects, with delicate tension, the grey areas within and around us. Continue reading “The Weather Station”
by Kaelen Bell
Strange weather brings stranger vibrations as Send + Receive Festival descends on Winnipeg in its 20th incarnation, with a new host of artists, alchemists and alien dispatches. Continue reading “Send + Receive Embarks on Third Decade”
Interview by Ryan Haughey
Photo by Abi Reimold
On October 22nd, Real Love Winnipeg is hosting a show featuring a wonderful lineup at The Handsome Daughter. Chicago’s Advance Base makes a stop in Winnipeg to promote the newly released and beautiful Animal Companionship. Along for this leg of the tour is the band Friendship, a low-wave dark-pop group from Philadelphia.
Heading up the ensemble is Dan Wriggins, who I had the chance to chat with about Friendship’s new music, live set, and touring experiences. Continue reading “Friendship”
by Olivia Michalczuk
I started drum lessons at 9 years old. I wanted to be like… well, I’m not sure who I wanted to be like. My parents listened to a healthy blend of local rock, classic hair metal, and 80’s pop. Hence, the women I looked up to in music were Whitney Houston, Heart, and the Spice Girls, none of which had a female drummer. Continue reading “Girls Rock Winnipeg”
by Chris Bryson
Never a band to tread the same path twice, KEN mode’s return seemed destined to cover new ground. After having taken on bold variations of sound all rooted in the jagged rage of noise, the guys have landed in darker territory on their newest offering Loved. And judging by the first couple tracks released from the album, the KEN mode fury is alive and well. Continue reading “KEN mode”
by Chris Bryson
Continuing tradition can be a great thing. Apply that to music festivals and you’ve found many people’s version of heaven. Areas of the world have so many memories spread across what eventually becomes sacred musical land. The first ever Hoot Owl festival makes its home in Kerry, Manitoba at the old locale of the legendary Shine On festival and sets out to continue tradition while being its own thing in the process. Continue reading “Hoot Owl Festival :: New Name, Same Place, Familiar Spirit”
by Chris Bryson
Not many bands can make music that moves with such elegance, ease, and bounce as TOPS. Surely this is no easy feat, as the band has been honing their formula over the course of three albums, plus another in progress. Last year’s Sugar at the Gate, TOPS’ third full-length, found the band pushing their soft indie rock a la mellow disco-funk into a further refined breezy luster. Continue reading “TOPS :: Elegance and ease”
by Chris Bryson
Seaway will be bringing their sugar-sheened pop punk back to Winnipeg on July 12 in support of last year’s Vacation. This will be the band’s first Canadian tour of the album but with the gap from release time, these guys haven’t let up. Running off a solid schedule on the road and recently coming off a tour in support of Sum 41, the band have been making waves with their sprightly summery tunes. With a bit of a break before starting their tour off in Winnipeg, Stylus caught up with Seaway’s lead vocalist Ryan Locke to see how things have been going. Continue reading “Seaway”
Mike Milosh is the driving force behind Rhye, the Canadian R&B project set to wrap up the Big Blue stage on the Friday night of this year’s Winnipeg Folk Festival. Milosh spoke with Stylus about his workhorse tour schedule and what he’s been up to in the five years between Rhye’s 2013 debut album, Woman, and 2018’s follow-up record, Blood. Read the full interview to geek out on hotel safety and microphone set up advice, and find out how you can help hype their Folk Fest Friday night set. Continue reading “RHYE :: WINNIPEG FOLK FESTIVAL”
